A Quote by MNEK
I think that there's not always been queer person of color representation in pop and so I'm making the most of it because that is who I am.
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As much as I think that in the future we won't need labels, at the moment they're really important. So I'm making myself embrace that. I truly am proud to be queer. Even watching 'Queer Eye' is something that inspired me to say that. So that's the power of representation.
The stories I grew up with, whether it came to queer representation or representation of anyone that was different, it was always a story of, like, very sad, usually ended up with somebody dying, and it made the idea of being queer or different really scary, actually.
It's important to be able to have representation for black queer women, because I feel like there's not much representation for them in the mainstream.
A lot of artists I like end up being queer. Or maybe it's a subconscious thing that you can identify of, like, 'Oh this person understands the nuances of the romantic narrative of a queer person, or the social narrative of a queer person.' And then you discover, lo and behold that they are a queer person.
I am pansexual as I actually remember also being attracted to women as well and thinking that maybe this like, thing where I was attracted to men was just like some weird phase or if it was something I could just ignore. My mom is queer and I have a queer uncle. So, I wasn't completely, you know, shielded from queer representation.
I think, in general, straight actors should be able to play queer roles just as much as queer actors should be able to play straight roles. I think the reason why the debate is there is because we haven't had enough queer actors being cast in anything. People are in need of that representation in general.
I think everybody don't know what color I am. It's like, "He's not black enough. He's not white enough. He's got a Latin last name but he doesn't have - he doesn't speak Spanish. Who are we selling this to? Are you making urban music? Are you making pop music? What kind of music are you making?"
Fear Street' subverts almost every stereotype that you can think of in the horror genre, which I love. We have a horror trilogy that's centered around a queer relationship. The main protagonist is a queer woman of color.
The image of the band has always been something that's evolved or changed with every record cycle that we've done. I think, in a lot of respects, that's because we were so interested in having a visual representation for the music that we were making.
The representation that I always go back to is a pop star - whether it's Lady Gaga or Madonna, I love the way those women in pop music have always made an effort to create a specific vision.
For me, I think it's important to spread Black queer joy and acknowledge Black queer excellence and the achievements that have been made by my people, specifically meaning Black queer people.
I think that there are all these amazing figures in our history - the Bowies, the Tina Turners, the Chers, the people who are, in many ways, genderless or represent 'the other' - and I want pop music, and other queer artists - Kehlani, Perfume Genius - these people are bringing queer narratives into people's minds.
People often ask me why I choose to primarily play queer characters, and my answer is that as a queer man, I choose to align myself with projects in which I can be of service for a purpose greater than myself: to be for an audience of queer people of color, something I didn't have the privilege of seeing as a young man.
Candy apple red is my favorite color. It's a powerful color to wear. It's always been that way - I've always been really attracted to that color.
I would definitely love to see a queer rom-com because representation matters. It does so much to help normalize things in the mind of society.
Especially when you're queer and you're a person of color, you're so used to being the token on set. Inevitably you have to answer dumb questions from someone. You're the 'other.'
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