A Quote by MO

As a teenager my favorite band was Sonic Youth, and everything they did was always obviously them, and always so artistic. There was another layer of meaning, underneath everything, that you could search for.
Sonic Youth was not a singer-songwriter band. It was an electric collective. And, whatever else people's perceptions of Sonic Youth were, it was always about putting together a time-based composition - and that is exactly what songwriting is, in its classic form.
When Sonic Youth writes music, we write everything in a very communal way. It doesn't matter who brought something in initially; it all gets transformed by the band.
As far as we're concerned, we're always Sonic Youth, and we're always making a Sonic Youth record. We just see it so much more as a continuum than a periodic thing. We're just in the studio making the next record, and we don't relate it to anything other than what's going on at the moment.
I've always been an acoustic guitar player, and I've pretty much continued to play acoustic guitar throughout all of the Sonic Youth periods. My material for Sonic Youth often started on acoustic guitar.
Sonic Youth has a very democratic process for the most part. It almost doesn't matter who brings in an initial idea; everything gets worked over by the band and kind of co-written by everyone in the end because everyone's ideas get contributed to it.
All of the Doors' albums are great. I could go on and on about everything that band did. 'L.A. Woman' is phenomenal. But I have to say, 'Strange Days' is it for me. That's the one I always gotta listen to.
I opened up every can of worms I could. I got to the place where I would peel back one layer, and then another layer, and the stuff that would come up underneath was so inspiring, it made me want to write about it.
I think that certainly, whenever you have a new band, the first record always has a certain energy to it before you know what you're doing. I think some of the early Sonic Youth stuff was maybe like that.
I hate the ballplayer who says, 'I did everything I could have possibly done.' Because if you didn't win it all, you obviously didn't do everything you could have done.
For starters, I should just tell you that The Band was always my favorite band from the first moment that I heard the first note of "The Weight" on WNEW radio. It was when I was eight years old and Music From Big Pink came out. They were my favorite band always. They had a profound influence on me and on my becoming a musician.
Everything - a bird, a tree, even a simple stone, and certainly a human being - is ultimately unknowable. This is because it has unfathomable depth. All we can perceive, experience, think about, is the surface layer of reality, less than the tip of an iceberg. Underneath the surface appearance, everything is not only connected with everything else, but also with the Source of all life out of which it came. Even a stone, and more easily a flower or a bird, could show you the way back to God, to the Source, to yourself.
In stories, everything has to have clear consequences and everything has to focus to the end. Everything at the end will give meaning to everything that precedes. In my own life, the consequences of the choices I've made aren't always very clear. The most beautiful things are sometimes not totally truthful, and the end will not give more meaning to everything that precedes.
I loved Fugazi, the D.C. hardcore band, because they always did everything themselves. They had their own label, and the CDs always cost nine dollars, the T-shirts always cost eight dollars, the shows always cost five dollars, no major label.
Sonic Youth is one of my favorite bands.
One of the key guitars in my career has been an early-Seventies Fender Telecaster Deluxe that I had before Sonic Youth started and that I played pretty much throughout Sonic Youth.
I've been in a band, so I understand the politics. Sometimes the bass player doesn't like what the guitar player is doing, and you have to sort of even that out. But I've also always loved the technology part of it. I've always loved the studio part. Making albums. Besides writing songs, which has been my primary thing, making records would be second. Obviously, touring would be third. Touring wasn't my favorite thing to do, but the first few tours were pretty fun. Seeing the world and everything.
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