A Quote by Mo Collins
Before my big break in 'MADtv,' I was doing a lot of commercial work.
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A lot of the good cameraman who we used are doing television work; they're doing commercials for a lot of money. And the commercials look incredible. But what's it about? I made three major commercial campaigns. I enjoyed it, I experimented with it, and at the end of the day I felt no satisfaction. It was like having a fast food lunch.
Well, it was strange, because the phone rang and a teaching job turned up that sounded interesting. And I always did my own work. The Animals and a lot of Public Relations were done while I was doing commercial work.
There are a lot of guys who have never had to go to a commercial break during their match.
Motor racing's less of a sport these days than a commercial break doing 150 mph.
I never intended to become a commercial filmmaker in the first place. What I do requires time and experimentation. Commercial work is often not the best way to get the most innovative work, because it's about money and marketing. Although advertising is now embracing non-commercial people.
My first commercial ever was a Dr. Pepper commercial. And then I did a Mountain Dew commercial. A lot of soft drinks.
With comics, you always talk about a big break, but there are a lot of big breaks in your life and not one of them makes a big difference.
I was 18 when I did 'The Amanda Show,' and I was 19 when I did 'MadTV,' and I was in way over my head. I was just sort of a goof who could do impressions of WB stars - speaking of the Dawson Van Der Beek era - and it was overwhelming. I don't think I've learned more faster in my life than when I worked on 'MadTV.'
I had a lot of success in big tournaments as well - won Masters Series in Rome - so a lot of things are coming together. I've done a lot of hard work in the off-season. A lot of physical work, a lot of work on my serve and on my return game.
When 'MADtv' got cancelled, I didn't work at all - for three years.
I think, a lot of times, bands will break up because their goal is commercial success, and most bands aren't going to get that: it's out of their control. If you do, you're one of the lucky ones, but that commercial success will likely fade, and you'll end up breaking up anyway.
A lot of time it is hard to break into the commercial world and that has only to do with money and that has nothing to do with being female or male.
I think that we're our own worst enemies in a lot of ways, especially when it comes to doing work where you're criticized a lot or doing work where there's a lot of hater directed at you; and to not constantly second-guess yourself.
When I was doing 'Kanche,' a lot of my well-wishers and friends in the industry suggested that I concentrate on doing commercial films.
I tried a couple of pop writers - none of the big, big, big ones - but it didn't work for me. I do have a commercial voice; I'm not quirky. I'm very normal and that's probably why I like people like Barbra Streisand and Whitney Houston. It's no-nonsense. They sing well, and that's it.
When you have to do all the more crappy jobs before, you appreciate all the good work that comes out of that. There are many girls who immediately have a top model career, and there are lots of models who are doing things that aren't as exciting as doing big campaigns and beautiful magazines.
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