I think it's been a little difficult at times for the audience, because they've told me they see me as a family member. So to see your little sister sing about sex... I think they are pretty used to it now.
I think you have to do the stories that interest you and hope an audience likes it, rather than doing stories that you think the audience will like, whether you like them or not. I think there has to be something that you find compelling and interesting, and then hopefully an audience will agree with you.
I'm the audience first, and if you're gonna be a great performer, you need to be a great audience. So, I do music for me first, and whoever likes it likes it, and whoever doesn't -- well, it's just not for them.
I wasn't trying to be a role model with 'The Dutchess,' but suddenly, seeing little girls in the audience with their moms made me think about what I do onstage a little bit more. I had to watch my mouth, because it can be filthy. It changed things for me.
Usually, I'm just pleasing myself and I have very similar tastes I think to an audience, what that core audience really likes.
I don't think about the audience, I don't think about what makes them happy, because there's no way for me to know. To try to think of what makes for entertainment is a very Japanese thing. The people who think like this are old-fashioned. They think of the audience as a mass, but in fact every person in the audience is different. So entertainment for everyone doesn't exist
I think Ancelotti really likes London and he likes the way football is played over here. That doesn't surprise me because, after Italy, if you come here, you really enjoy the culture.
As much as I'd like to think and as much as people mistakenly think my audience is blue collar people in the heart of America, my audience is basically, in the States, an NPR audience. I play college towns in the summer because that's who comes to see me.
The last collaborator is your audience ... when the audience comes in, it changes the temperature of what you've written. Things that seem to work well -- work in a sense of carry the story forward and be integral to the piece -- suddenly become a little less relevant or a little less functional or a little overlong or a little overweight or a little whatever. And so you start reshaping from an audience.
I think the audience likes to be entertained.
I think the way the audience takes the Indian film-star is a little different from the way the audience takes the Western star there. We are considered like demi-gods here, and the reason is not because we are better or good, but because there is no other mode of entertainment in India.
If the audience likes and appreciates a move, it gives the wrestlers in a ring a little bit of extra energy, and you can always use that.
I do think there's a smaller audience that's looking for something that's a little more adult and a little more nuanced [than many Hollywood movies]. At the same time, I think everyone who's making movies hopes to appeal to the widest audience possible.
The audience loves watching masala films, and I love to make what the audience likes. I also think it is easy to make a masala film.
Actually, I think it's interesting that when I put the weight on, I was already with him. I don't know, maybe I felt safe. And he likes me like this. He likes me whatever size I am.
Meddling, smug, stupid little..." "She likes me! They always play hard to get when they like me!" "No. You do not understand. I could not have done it because I can not read or write.