A Quote by Mo Ibrahim

If a European guy came to Africa and said hey guys, you don't have good - people could tell him to go to hell. You are an imperialist. You are a colonialist. Who are the hell are you to come and tell us what to do? I'm an African. Whatever I say nobody in Africa tell me well, it's not of your business. It is my business.
That little boy is driving well and he's putting well. He's doing everything it takes to win. So, you know what you guys do when he gets in here? You pat him on the back and say congratulations and enjoy it and tell him not serve fried chicken next year. Got it? [...] Or collard greens or whatever the hell they serve.
I'm not going to Russia and tell them to go to hell and think - that's not the way things are done. You chip away at something and you hope that there will be dialogue and that the situation can get better. You don't just go in there with guns blazing and say well, to hell with you because they're going to say to hell with you and get out of the country.
The best way to do business with a liar is confront them with the truth. Tell them that you do business as a partner. If your lying customer still can't see the light, tell him that you may not be the best choice for business, and that you think you have someone that can serve him better. Then, refer him to the competitor that you hate the most.
A number of African countries came to us and said, we request that South Africa should not field a candidate, because so many other African countries wanted to, and, in any case, South Africa would continue to play a role in terms of building the African Union, and so on. And they actually said, please don't field a candidate, and we didn't. As I have said, it is not because we didn't have people who are competent to serve in these positions.
When people ask me, ‘how do you make it in show business,’ or whatever, what I always tell them — and nobody ever takes note of it ‘cuz it’s not the answer they wanted to hear…but I always say, ‘Be so good they can’t ignore you.’
People try to tell me like that, 'Oh, you shouldn't be proud,' or, 'You're not this,' or, 'You aren't that,' or whatever the hell. I'm just kinda here to say, like, who is anybody else to tell me who I am or what I've gone through or what I haven't gone through?
Liverpool had African players from the '50s and '60s. There were goalkeepers in the early days from South Africa. Then in 1981 there was a guy who came to Anfield. They say 'who is this guy' and it is me; I am African.
I'll tell you what. I've been in combat. I've seen it, I've been close to it... and if my unit is danger, and I've got a captured guy, and the guy knows where the enemy is, and I'm looking him in the eye, the guy better tell me. That's all I'm gonna tell you. The guy better tell me. If it's life or death, he's going first.
The only reason to make a million dollars in this business is to tell some fat producer to go to hell.
I have certain things that I stand for, certain things that I believe in, and if you don't like it and you tell me to go to hell, I think that's your God-given right as a fan. It's one of those deals where I'm that one guy who is outside of that realm of good guy, bad guy. I'm just me, and it elicits a response both positive and negative.
I tell Donald Trump that the establishment will tell their lies. They will try to keep him down. I tell him, 'Now Mr. Trump, they're treating you like a black man.' I say, 'Mr. President, you know what it's like to be a black man. No matter what you say or do, you are guilty as hell.'
I spent my youth and my most formative years in Africa. I left Africa when I was about 20, 21, and when Mo says a great African, I was really moulded by my African experience, although I had the good fortune that by the time I was 24 I had studied and worked on three continents - Africa, the US, and Europe.
My popularity does not derive from me pandering to people. People came to me. I don't tell anyone to follow me on Twitter. I don't tell people to like my Facebook page. I don't tell people to fill the venue. I'm offered to people, and then people come.
Be undeniably good. When people ask me how do you make it in show business or whatever, what I always tell them & nobody ever takes note of it 'cause it's not the answer they wanted to hear-what they want to hear is here's how you get an agent, here's how you write a script, here's how you do this-but I always say, “Be so good they can't ignore you.” If somebody's thinking, “How can I be really good?” people are going to come to you. It's much easier doing it that way than going to cocktail parties.
It was seriously just a name. They didn’t tell you what to do. They didn’t tell you how they wanted the character to be - nothing. You went in to audition for this character name and that was it. When I started, before I came onto the set, I went to Gene Roddenberry and said: hey, what do you want from this guy? Who is he? And being as smart as he is, he said: don’t listen to what you’ve heard or read or seen in the past, nothing. Just make the character your own. And that’s what I did.
Shh!" the guy beside me hissed again. "Blame him," I told the guy, pointing at Patch. The guy craned his neck back. "Listen," he said, facing me again. "If you don't quiet down, I'll get security." "Fine, go get security. Tell them to take him away," I said, again signaling Patch. "Tell them he wants to kill me." "I want to kill you," hissed the guy's girlfriend.
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