A Quote by Mo Rocca
I have such respect for people who do non-fiction casting after settling on the grandparents we got for this. It is really hard to find people who are not fame-whores. We're lucky these people actually wanted to spend their time doing this. All of them would have much rather been cooking without the cameras, being with their families. That's why they're great characters.
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I've always been lucky in casting. The trick in casting is to hire great people, and let them do what they do, don't interfere with them too much. And then when they're great, take credit for it in the end.
For no matter what we achieve, if we don't spend the vast majority of our time with people we love and respect, we cannot possibly have a great life. But if we spend the vast majority of our time with people we love and respect - people we really enjoy being on the bus with and who will never disappoint us - then we will almost certainly have a great life, no matter where the bus goes. The people we interviewed from the good-to-great companies clearly loved what they did, largely because they loved who they did it with.
I've been so lucky to work with such great people: people that are such hard workers and have such a respect and appreciation for one another.
I hope I'm always lucky enough to be able to work in theater, TV, and big films and small films. I think there's advantages and disadvantages to all of them. The fact that this was a small film without much money and without much time made it rich in energy and momentum and drive when we were actually making it 'cause that's all you've got. You've just got the story and the people.
I've never written a fiction before about real people. . . . I read everything that I could find by people who met them and tried to get some impression of them, but as always when you write fiction, even if you have completely fictitious characters, you start by thinking of what is plausible, what would they say, what would they be likely to do, what would they be likely to think. At some point, if it is every going to come to life, the characters seem to take over and start speaking themselves, and it happened with [COPENHAGEN].
Nick and Nate Diaz. We're different people, we have different personalities. But I have mad respect for them because that is them. That is Nick and Nate being themselves and not putting on a front. Not acting differently when the cameras on than when the cameras off. I got a lot of respect for Nick and Nate for that reason.
When you're in a start-up, the first ten people will determine whether the company succeeds or not. Each is 10 percent of the company. So why wouldn't you take as much time as necessary to find all the A players? If three were not so great, why would you want a company where 30 percent of your people are not so great? A small company depends on great people much more than a big company does.
Some people who see cooking as a job. They got into cooking at some stage and they're sort of ticking along trying to get the money together to buy the car to impress the girlfriend and you know they're doing their job, but some of these people one day, all of a sudden it becomes wonderfully exciting to them. They find this love of what they're doing and they're away.
I've been lucky - all the ads I've got, I've got to be myself. I haven't had to act too much or tried too hard to be someone I'm not. I think that's why people sort of like them. Even the Fastrack ads I did with Genelia.
As much as they deny it, I think people want to be scared. It's a phenomenon, why people want to be scared when there is so much violence and craziness in the world. People still really enjoy being scared. It's a conundrum to me. It's hard to explain. It's an unconscious thing, really, why people like that so much.
As much as they deny it, I think people want to be scared. It's a phenomenon, why people want to be scared when there is so much violence and craziness in the world. People still really enjoy being scared. It's a conundrum to me. It's hard to explain. It's an unconscious thing, really, why people like that so much.
The thing with videogame characters is that they tend to be really undercooked, and people don't take the time to really flesh them out. They don't treat them with the respect that a writer writing characters in any other medium would treat their character.
I think Americans is a very special nation that was created so that people could be free. And they could be free to believe what they wanted. They could be free to work as hard as they wanted, knowing that their labor would accrue to them and to their family, that there wouldn't be a lot of people impinging upon their freedom and telling them what they had to do, and that it would be a nation that was representative of the people, and that it would have a government that was representative of the people rather than one that tried to rule the people.
After a decade of profligacy, the American people are tired of politicians who talk the talk but don't walk the walk when it comes to fiscal responsibility. It's easy to get up in front of the cameras and rant against exploding deficits. What's hard is actually getting deficits under control. But that's what we must do. Like families across the country, we have to take responsibility for every dollar we spend.
Very much in my books people find not surrogate families because they are real families. We've got families that we're related to by blood but we've also got families that we acquire. And those too I think are pretty much part of my books.
Being at school, being who I am, being an athlete, it was hard to find people like me. There's not many athletes that can be at my level. That was kind of hard finding people who love something so much they want to keep on doing it.
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