A Quote by Mo Rocca

I'm always working on a few different stories at once, so there's always some really big coffee table book I'm carrying around. — © Mo Rocca
I'm always working on a few different stories at once, so there's always some really big coffee table book I'm carrying around.
I must say, some are not very beautifully made. They’re coffee-table books for people who drink alcohol. I have nothing against coffee-table books as long as they are well done. They must not look like gravestones on a table. Sometimes they are too big, they come in boxes and things like this. No, a book has to be easy to open and you don’t have to be a bodybuilder to lift it. I like books I can read in bed. Those big tombstones would kill me.
I have this table in my new house. They put this table in without asking. It was some weird nouveau riche marble table, and I hated it. But it was literally so heavy that it took a crane to move it. We would try to set up different things around it, but it never really worked. I realized that table was my ego. No matter what you put around it, under it, no matter who photographed it, the douchebaggery would always come through.
I am originally from Florida. So Thanksgiving was always something I really looked forward to, because I got to travel back home every year and see everyone all at once, around one big happy table.
I grew up around writers, and there was always a romance to them. They were charming. They would tell their stories of what they were working on, over the table.
My dad had always been a big decaf coffee drinker. But my mom had always been more of a tea drinker. So I grew up around a lot of tea. And I also really love tea. But I'm not one of those people who has ever felt the need to choose between coffee and tea. I think that is a completely false dichotomy.
There was always Helmut Newton coffee table books around when I was growing up.
In movies, you have a production assistant carrying your chair around and getting you coffee. In theater, no one carries your chair, no one gets you your coffee, there's no craft service, there's no per diem. The only thing that is provided for you is coffee, tea, sugar and milk. It doesn't matter how big a star you are or whatever.
It's really, really eclectic. It's not a business book [Girlboss], but it's still a book that should make you want to get up and do things and think about your life. And for a book that looks that beautiful on a coffee table, I think that's a very special thing. So it's hopefully a new genre I guess, of book. It was so fun to put together and fun to write, that was really a pleasure.
I was passionate about reading from an early age, and I would always be carrying a different book each week.
The book I made it big with in the U.S. was my fourth book, 'Sanctum.' My novels sell really well both there and in Canada, so once a year I do a promotional tour, visiting a different city every two days, doing book readings and signings.
I always have some way of putting the stories together that works for the book. I've always switched points of view in my books. I'm a Gemini.
I think everybody comes to the table with a different point of view and a different need...A lot of Beverly Lewis' material revolves around secrets and bringing those secrets to light. So, you know, there's always that theme, that...we're as sick as our secrets and once they're revealed we can be set free from them. So, that's definitely a theme that resonates.
I think I'll probably be pregnant all through my 30s. I've always pictured everyone around the table for the holidays and together once a week. It'll be heartbreaking if it doesn't end up happening, but hopefully it will. We've got some embryos on hold.
The more new thinking I did, the more successful it seemed to me that I could become. When magazines are really working, and when websites are really working, they're doing new things all the time, and discovering new writers to do stories, different ways to package stories. I was always very aware that I was very lucky to be doing what I was doing, because I would get up in the morning, and go to work, and the days would fly by.
If you go all the way back, I've always written science-fiction, I've always written fantasy, I've always written horror stories and monster stories, right from the beginning of my career. I've always moved back and forth between the genres. I don't really recognise that there's a significant difference between them in some senses.
Calvin is hammering nails into coffee table. Mom: CALVIN WHAT ARE YOU DOING TO THE COFFEE TABLE?!? Calvin: Is this some sort of trick question, or what?
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