A Quote by Mo Yan

A writer should express criticism and indignation at the dark side of society and the ugliness of human nature, but we should not use one uniform expression. — © Mo Yan
A writer should express criticism and indignation at the dark side of society and the ugliness of human nature, but we should not use one uniform expression.
The object of a comedy is not to correct morals or ridicule the vices of society; no, a comedy should depict the discrepancies between life and purpose, should be the fruit of bitter indignation aroused by the degradation of human dignity, should be sarcasm, and not an epigram, convulsive laughter and not an amused grin, should be written with bile and not diluted salt, in a word, it should embrace life in its highest significance.
We should be on our guard not to overestimate science and scientific methods when it is a question of human problems, and we should not assume that experts are the only ones who have the right to express themselves on questions affecting the organization of society.
Americans are attracted to the dark side. But which movies should be allowed to be violent and show that dark side, and which should not? I don't believe in censorship, but I do think there are horrible movies that are bad for you.
Everyone has a right to an opinion. I can arrive in England and express my opinion. If criticism were ferocious and without intellectual objectivity they should show me the way to their airport. It is important to have an opinion and not be afraid to express it, knowing there will be criticism.
But we should ask the question: Why should a writer be more than a writer? Why should a writer be a guru? Why are we supposed to be psychiatrists? Isn't it enough to write and tell the truth? It's not like telling the truth is common. Writers are the earthworms of society. We aerate the soil. That's enough.
The creative process lies not in imitating, but in paralleling nature - translating the impulse received from nature into the medium of expression, thus vitalizing this medium. The picture should be alive, the statue should be alive, and every work of art should be alive.
Fashion is social commentary, but to me, it's the whimsy of it and how women and men use clothes to express themselves. It should be fun and when it stops being fun, that's when I put my jeans and my T-shirt on and then that's your uniform.
Even in a jungle, lovely flowers will spring up here and there, such being the fecundity of nature, and however badly our pastors and masters run our society, however much they pull to pieces that which they claim to be keeping intact, nature remains fecund, human beings are born with human traits, sometimes human strength outweighs human weakness, and human grace shows itself amid human ugliness. ‘In the bloodiest times,’ as our play has it, ‘there are kind people.’
I take criticism so seriously as to believe that, even in the midst of a battle in which one is unmistakably on one side against another, there should be criticism, because there must be critical consciousness if there are to be issues, problems, values, even lives to be fought for... Criticism must think of itself as life-enhancing and constitutively opposed to every form of tyranny, domination, and abuse; its social goals are noncoercive knowledge produced in the interests of human freedom.
I think that the essence of a free and civilized society is that everything in it should be subject to criticism, that all forms of authority, should be treated with a certain reservation.
Relativism should be confronted where it damages fundamental human rights, because we're not relativists if we believe that the human being should be at the centre of society and the rights of every human being should be respected.
He should avail himself of their resources in such ways as to advance the expression of the spirit in the life of mankind. He should use them so as to afford to every human being the greatest possible opportunity for developing and expressing his distinctively human capacity as an instrument of the spirit, as a centre of sensitive and intelligent awareness of the objective universe, as a centre of love of all lovely things, and of creative action for the spirit.
You should know as much as you can about the human species if you have a hand in designing human society. Of course, I'm not saying that you can derive moral rules from nature - that's deriving an ought from an is, as the philosophers say - but you do need to know what kind of animals we are if you want to design a stable society.
The realization of our soul has its moral and its spiritual side. The moral side represents training of unselfishness, control of desire; the spiritual side represents sympathy and love. They should be taken together and never separated. The cultivation of the merely moral side of our nature leads us to the dark region of narrowness and hardness of heart, to the intolerant arrogance of goodness; and the cultivation of the merely spiritual side of our nature leads us to a still darker region of revelry in intemperance of imagination.
An art of expression should begin with childhood, and the lucid use of one's mother tongue should be typical of that art. The sense of reality should be strengthened from the beginning, yet by no means at the cost of those lofty illusions we call patriotism, veneration, love.
We make assumptions: nurses should be nice, teachers should be good. But everyone has a dark side, some darker than others.
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