A Quote by Moa Kikuchi

I guess the British audience accepted us for being refreshing and interesting. — © Moa Kikuchi
I guess the British audience accepted us for being refreshing and interesting.
I guess I've accepted that theatre is never going to be edgy in the way I want it to be. It's too expensive for a start. And, the audience seems to be complicit in the dullness.
I truly think a long career is to keep the audience guessing and not being able to be boxed, and for me, I'm not hell-bent on playing the lead in things as long its an interesting character with phenomenally talented people, and it's a script that I feel is genuinely innovative, creative, and potentially interesting for an audience.
Let's turn British inventions into British industries, British factories and British jobs. Let them make pounds for us, not dollars marks or yen for others.
I regard myself as being enormously lucky to have been accepted by the British public in so many areas.
I guess after the whole success with 'Lean On' - me being introduced into this more mainstream audience - I was a little scared of being my true self, and being vulnerable and being gritty.
I find that the British audience listens and they accept the performer for its value, value as a singer, as a vocalist, value as a performer. You're only accepted if you're good.
My grandparents would never admit to being Tasmanian, but I think it's really great and funny. But I guess, in the past, Tasmanians just weren't quite accepted. You had that lazy reference to them being felons.
I guess I'm entertaining; I guess I'm interesting. I guess the things that I say sell papers. I guess they sell magazines. I don't know.
My career is too short for there to be any turns! But I would say that not everyone is noticed and accepted in their debut films. I was accepted both by the industry and the audience.
I was drawn to all the wrong things: I liked to drink, I was lazy, I didn't have a god, politics, ideas, ideals. I was settled into nothingness; a kind of non-being, and I accepted it. I didn't make for an interesting person. I didn't want to be interesting, it was too hard. What I really wanted was only a soft, hazy space to live in, and to be left alone.
I'd say working on television is much, much tougher than films. But television has a great connect with a live audience, which is a refreshing change for us actors.
Independence day is an interesting time to reflect on our strange fealty to institutions that the British left us, including those that were explicitly set up to be used against us.
But how can the characters in a play guess the plot? We are not the playwright, we are not the producer, we are not even the audience. We are on the stage. To play well the scenes in which we are "on" concerns us much more than to guess about the scenes that follow it.
I think most actors probably enjoy playing the bad guy. I think it's the fact that most of the time, heroes aren't written with enough interesting qualities or flaws, and that leads to the bad guys being almost the runaway train, as far as being more interesting for the audience to watch.
The problem with being British... I don't know if it's me being British or being raised a strict Catholic, but you never really enjoy success.
I don't know the accident of still being married. I was the worst human being. But we were, I guess, in love. So much has happened to us to bring us together and keep us together.
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