A Quote by Moby

When someone comes to me and says the music I've made has affected them emotionally, that's the most gratifying part of my job. — © Moby
When someone comes to me and says the music I've made has affected them emotionally, that's the most gratifying part of my job.
That’s why I make music. When I listen to my favorite music made by other people, that’s what it does to me. So as a musician, I’m just trying to do the same thing with music I make. Sometimes it works, sometimes it doesn’t. But when someone comes to me and says the music I’ve made has affected them emotionally, that’s the most gratifying part of my job.
I really enjoy work to a purpose. Maybe that makes me kind of strange. In some ways - and this is going to sound awful - it could be that writing is the worst job that I've ever had. Because it's so much more important to me and there's so much more opportunity for failure and I have so many people depending on me. In some ways it's the most satisfying, the most gratifying, and the most rewarding job I've ever had. But I actually would say it's probably the worst job I've ever had too.
Casals says music fills him with the wonder of life and the 'incredible marvel' of being a human. Ives says it expands his mind and challenges him to be a true individual. Bernstein says it is enriching and ennobling. To me, that sounds like a good cause for making music and the arts an integral part of every child's education. Studying music and the arts elevates children's education, expands students' horizons, and teaches them to appreciate the wonder of life.
I know when I watch certain actors or if I watch Thom Yorke sing on stage, I'm affected by it emotionally. I guess that's what we are all striving for in art but that's such a beautiful thing that happens between two people that may never even meet. So when you do get to meet someone who was affected in that way, it's awesome.
I used to live in a street in Bristol which was, depending on your tabloid of choice, either Britain's most dangerous street or a moral cesspit. People made judgments about me on where I lived. It affected me - it affected my life chances. That is going on today with people in social housing. That, to me, isn't acceptable.
For me, the part of reporting that's the most rewarding and energizing is just hearing directly from people whose voices haven't often been heard, or incorporated into mainstream media. That stuff is really, really gratifying, and so to realize that you could make a career of that part of it, that appealed to me.
As a director, your job can range from having to lean on someone to get a performance out of them, to someone being so built for the part that all you have to do is make them feel confident and comfortable and assured of what they're actually doing, and you just wind them up and watch them go.
There's two types of hecklers. If someone says something really funny it's normally them heckling as part of the show. They're trying to add onto one of your jokes. If someone says something really funny, I've never seen a comedian abuse them, you always sort of tip your hat a little bit if they nail it.
I always just made music that resonates with me emotionally.
I think it's unhealthy to listen to what people say. My dad used to always say, "Don't believe in your own hype!" I was confused at the time: "Dad, there is no hype on me." But now I understand what he was saying. If someone says, "I think you're amazing" and someone says, "I think you're awful," I would like to have the same reaction to both, to be confident and calm enough to be able to take both of those and not be affected by either.
If someone comes to me, any community in the Northern Territory, with a viable economic future, and says, 'We want to be part of a bold new approach,' I'll put them down as a major project, and I'll do everything I can to help them out.
I've tried to make music that's more universal, but for me, it's most successful emotionally when it's most specific to what I'm going through.
I have a friend who says that roles choose you at the time that you need them most, and you have to believe, as an actor, if you didn't get a part that you really, really wanted, and it went to someone else, it was because it was theirs to begin with.
I really, really love music. I'm affected by it and uplifted by it, and made to laugh and cry, and almost fall in love with the person who has made me feel so brilliant and communicated so profoundly to me.
I just want to make art that connects with people and moves them on an emotional level. Any time I can put out music and place a story behind it and have people watch it and go, 'Wow, I was affected by that,' to me, feels like I've done my job.
I don't condemn anyone for making their choices. If someone chooses those roles, fine. But not for me. When someone stops me and says, You're the reason I became an actress, that lets me know I made the right decision.
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