A Quote by Moby

When I dj at big venues I try to play tracks that I would want to hear if I were e'd up in a field with 50,000 other people.

Moby

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Big Field Hear Other People Play Tracks Try Up Venues Want Were Would

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Moby
American - Musician
Born: September 11, 1965

Traditionally, with a DJ set, you just go hear DJ that has a good reputation and let the DJ take you somewhere. It was up to the DJ what he wanted to play. Typically in dance music, people didn't know most of the songs a DJ played.

A-Trak

My favorite venues are the 2,000 seat theaters, like the Warfield. If there was a Warfield in every city, I would play it. That's all I would do. I love venues like that.

Les Claypool

When playing big festivals, I tend to play big, over the top techno tracks, like hands in the air songs that make sense being played in front of 30,000 people. I steer away from subtlety in the interests of big bombastic dance music.

Moby

I like playing at public schools. I like when there's more of a diverse audience. I'll play wherever people want to hear my music, and I'll be glad and grateful for the opportunity, but I'd rather not play for a bunch of white privileged kids. I'm not meaning that in a disrespectful way; you go where people want to hear your music. So if that's where people want to hear me play, I'm glad to play for them. But I'd rather play for an audience where half of them were not into it than one where all of them were pretending to be into it, for fear of being uncultured.

Bradford Cox

We've gone from venues that hold 500 up to 3,000 on our own, so I guess we're not entirely unknown. But there is a difference between a few thousand people and 20,000.

Tobias Forge

Don't forget: before there would be a #NeverTrump hashtag, there would have been a #NeverJeb hashtag. And a lot of people would have been on that, and they would have said they would have stuck with it. If I were Donald Trump, and I was that much in the lead - he is so much in the lead he doesn't need to keep hating on the people who are the establishment who he hates so much. Why not try to bring them along and say, "Look, I believe this party is big enough for all of us. I want to hear from you. I want to make a deal" or whatever it might be.

Dana Perino

You can do a small club show and the energy is so contained. Then you play these big festivals, and have 50,000 people waving their hands in the air with you.

Tony Kanal

Once when we performed at a festival there were between 50, 000 and 60, 000 people in the audience we were so shocked. It was crazy.

Moa Kikuchi

I headline concert halls for 20,000 people, but I still play smaller venues.

David Guetta

There were 14,000 people at the rally for the president in Ohio. There were another 8,000 people in Virginia. If all 22,000 of those people opened their wallets and gave $1,000 each, that would be less than one donation from a billionaire to the super PACs. And that's why he's in for the fight of his life.

Austan Goolsbee

I was lucky enough to grow up in an era when radio was less formatted. It was really special. You could hear a jazz song then a pop song then a show tune then some jazz. Basically, whatever the DJ felt like playing, he would play. He was educating you and exposing you to things you would never hear otherwise.

Todd Rundgren

I knew that as a DJ from 1970 on up that I would eventually come with this sound. I brought out all these other break beats that you hear so much on a lot of these records.

Afrika Bambaataa

I joined MySpace in September 2003. At that time no one was on there at all. I felt like a loser while all the cool kids were at some other school. So I mass e-mailed between 30,000 and 50,000 people and told them to come over. Everybody joined overnight.

Tila Tequila

Of course, a lot of businesses want to reach students, so I funded the magazine by selling advertising. I sold something like $8,000 worth of advertising for the first edition, and that was in 1966. I printed up 50,000 copies, and I didn't even have to charge for them on the newsstand because my costs were already covered.

Richard Branson

I started in '88 to play House music, it was a huge revolution for me. I went to London and I saw a DJ on stage and that was crazy at the time. I was one of the really respected and famous DJs in Paris, but they would never show me. I was hidden. A DJ on stage and people dancing and facing the DJ, looking at him? I was like 'wow!'

David Guetta

Back then, Pro Tools only had four or eight tracks, so we couldn't actually hear all the tracks. We could only hear eight at a time, so if a song had 25 or 30 tracks, we wouldn't be able to hear it until we went into the studio an put it all on tape. The process was a little bit backwards.

Beck

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