A Quote by Moby

I find the fact that so few people buy albums to be strangely emancipating. There's absolutely no reason for 99% of musicians making albums to think about actually selling albums. So as a musician you can just make an album for the love of making albums.
What I love about making albums in the 21st century is that so few people buy albums! I can make an album without any commercial concerns whatsoever.
'Vol. 3' is the most pleasing of our albums to me. And I want to keep making albums that are different from each other. And you can bet all our albums will have that twist that only Slipknot can do.
I started running to different albums, and I was starting with the short albums and moving on to the longer albums. I was interested in how they built up, in tempo and intensity. it made me interested in albums again, too.
Albums aren't even selling anymore and there's a reason for that. Record companies are just signing single and ring tone deals and it doesn't seem like they're focusing on albums.
The great thing about albums is it gives you a lot of choices, and we can all say that the album business is dead, but watch Taylor Swift. I don't think it's dead. I just think we've got to hit on the energies that make people want to collect albums.
I've made over 25 studio albums, and I think probably I've made two real stinkers in my time, and some not-bad albums, and some really good albums. I'm proud of what I've done. In fact it's been a good ride.
I have to say I find it totally astounding that my albums do as well as they do. It's quite extraordinary, and it's actually very touching for me for the albums to be received with such warmth.
I really love crafting albums and thinking of albums as a whole, not just individual songs or singles or just tracks, but a whole entire album.
On every album I've put out, I've put diverse Canadian songs on it. They're not provincial album; my albums are national albums. There'll be a song about Saskatchewan and Vancouver and Nova Scotia on there.
First of all, I've been having a wonderful run of luck with cover albums, songs I didn't write. I had five pop cover albums and two Christmas albums, and they were all very successful.
MTV made a huge impact. Heavy rotation took you from selling 1m albums to 20m albums, and that meant a lot of dough.
I think most albums deserve a documentary because [an album] is a visual book. You don't have to read up on it because you can listen and watch the whole story. I would love to see lots of albums [become films.]
There's not too many one-producer rap albums. There are lot of one-producer rock albums... and country albums.
Some of the albums I like best in the whole world are considered psychedelic albums. A psychedelic album is an album that when you put it on, if you listen to both sides, when it's over, your perceptions have been changed and I think that our record can do that.
A lot of incredible rap albums over the past couple of decades have deserved Album of the Year. 'To Pimp a Butterfly' is an extension of those albums.
Our business has changed so much. Do people even want albums, or do they just buy singles now? You sort of feel like you're the last guy manufacturing VCRs... but I really like albums, and so I like doing them. I'll be the last one making them, even when no one's buying them.
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