A Quote by Moby
You can sit down with Reason or Ableton and literally in a couple of hours make a very good-sounding record. But then a lot of people become contented with that, rather than pushing themselves to making something that sounds great.
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I don't want to be elected president to sit around and see gridlock just become so dominant that people literally decline in their lives. That's not my motivation. I have a lot of cool things to do other than sitting around, being miserable, listening to people demonize me and being compelled to demonize them. That is a joke. Elect Trump if you want that. If you want somebody who has a heart for people, who can fight for people, and can fix these things, then there are a couple other people, and I believe I'm the best one.
At midnight every night, I would methodically leave the house for a couple hours' walk, come back in, and record. And then the sun came up. If I had done something good, then I'd be happy and go to sleep.
There are very few professions in which people just sit down and think hard for five or six hours a day all by themselves. Of course it's why you want to become a writer — because you have the liberty to do that, but once you have the liberty you also have the obligation to do it.
A lot of the early Washed Out material was done on a couple of synthesizers that did most of the work, but that's the great thing about synths - you can recreate sounds or make an entire record with just one piece of gear.
I still have a lot of faith that there's very few people who are savvy enough to actually produce a good sounding copy of the record.
I was literally told for 'The Show Goes On' that I shouldn't rap too deep. I shouldn't be too lyrical. It just needs to be something easy on the eyes. Like a record company telling Picasso that we don't need these abstract interpretations of life, where people have to sit down and look at it and break it down.
Maybe some people, when they sit down to write their great novel or make their great record or paint their great painting, they have it all planned out in their head. But for me, it's never worked that way.
I'm not saying Christopher Pyne and all them are my enemies, they're great blokes, shouted me a few beers a couple of times which I like, it's - we have got to sit down with the people like that. We have got to sit down with people like that and negotiate and work our way through. If we don't do that then we're just going to continue the sins of the past.
I like to believe that stories want to be written, that they must make an effort in order to be heard. They suggest themselves to me constantly, but I have little patience, I am lazy. Now and then, however, when I'm in the right mood, I stop to listen to one and sit down to record it. I think that by now they know I am not patient, so they make themselves short.
How important my books are or anybody's books are, I don't know. I don't think they are terribly important I think that they make people contented during the period they are reading them and this is worth something is to take care of somebody for a couple of hours.
The crews that are going to be self-produced are going to make the great albums, as opposed to making these mix-tapes, these compilations - "Me over this guy" It sounds good individually, but the art of the record is something that is lost. It gets to the point where it's just vocalists and producers coming in and piecing things together.
I am very determined when it comes to my music, and I grew up just loving those singers who had that urban sort of feeling. So when it came down to making my record, I wanted to have that as well. ForeFront was really good about letting me go in that direction and then of course adding the more pop sounds. I feel very fortunate that I got to explore some unique and creative angles musically.
I find that the time that goes by is actually your best friend when you are making a record. The passing of time gives you perspective on what you recorded and what you wrote. If something sounds good to you 12 months after you recorded it then chances are pretty good that there's something valuable about the part or the song.
I can spend a lot of time on the internet as a substitute for TV. This is part of the reason why I'm not a good girlfriend - you can't sit down with me and watch a movie. I hate being strapped down to stay with something.
I went to so many record labels - name any one - and they all turned me down. For some reason I just got the thumbs down for years and years. It sounds like I'm making that up, but it's true. I'm too serious about music and my creations to take just any kind of deal. There were a couple of companies that wanted to put me with a producer, and I said, "Well, I just produced my last album," and I wasn't about to go backwards.
I don't ever want to come out with something safe and get away with, 'It sounds good!' It's got to be more than sounding good. The music I like are events.
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