A Quote by Moby
It's much easier to have a diversified career as an electronic musician than it is as a drummer. Nothing against drummers. If you're a drummer, you just wait around for people to ask you to play drums. But if you have your own studio and can make music, you have the ability to approach music a lot differently.
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F irst and foremost I am a drummer. After that, I'm other things... But I didn't play drums to make money. I played drums because I loved them... My soul is that of a drummer... It came to where I had to make a decision - I was going to be a drummer. Everything else goes now. I play drums. It was a conscious moment in my life when I said the rest of things were getting in the way. I didn't do it to be come rich and famous, I did it because it was the love of my life.
I can play a bunch of instruments but drums? My brother's a drummer and I've always been jealous that he's such a good drummer. I always try to play but it's always kinda just bashing. I can keep time but no one really wants to hear me play drums.
I play bass. I play a bit of guitar. I've never been to a lesson, so my theory of music is non-existent in any instrument, but we always had guitars around. My dad taught me to play drums for 'Love Actually,' and I still play drums now. But I'm not a 'drummer.' I'm not a 'guitarist.' I'm trying to be a bassist.
I can play a bunch of instruments but drums? My brothers a drummer and Ive always been jealous that hes such a good drummer. I always try to play but its always kinda just bashing. I can keep time but no one really wants to hear me play drums.
My drummer right now, who was also the first drummer in Weeping Tile, Jon McCann, told me that [Hip drummer] Johnny Fay took drum lessons from [McCann's] dad, who taught a lot of the drummers in Kingston. He said that when he was in Grade 9, the Hip were the model; the goal was to get an agent and gig as much as possible.
I got a drum set at the age of four. I wasn't playing that well, just kind of banging around. I just wanted to play drums and my dad got me a set. I played for several years, but I wasn't meant to be a drummer, I guess. I can play drums on my own things - obviously on some of my own records I play drums. But I didn't start playing guitar until I was 11.
I was listening to a lot of really early house music tracks. Like Chicago house and Detroit. And Marshall Jefferson has a track probably from 1980 - somewhere around there - that doesn't actually have any electronic instruments, no drum machines, nothing. Just a drummer and a piano player and they're playing this house music, but they're actually playing it. I really love that aesthetic and wanted to bring that into the album.
As a songwriter, you tend to develop your own style, your own technique, based around what it is you're trying to write and perform, in terms of your own music. So a way of evolving a guitar style as a songwriter is much easier, I think, than developing a true style of your own just from listening to music or playing other people's music.
As a drummer, I always approach things as, 'I want to play just enough to keep other drummers interested, but not enough to go over the average listener's head.'
Everyone knows deep in their hearts that the drums are the coolest instrument, and that a band is only as good as its drummer. So I'm all for drum solos. I'm all for drummers hamming it up. I'm all for drummers standing up and kicking over the kit.
The drum is the heart of music. The saxophone can play and then rest, as can all of them except the drums; the drummer keeps going - he can't afford to stop.
Everybody has their own approach to songwriting. When you're an electronic musician, the whole writing process just depends. Some people have a very live way of writing electronic music, very improvisational. They set up a lot of gear and do live takes. I'm concerned with having a specific kind of sound. There's not one second that I haven't put thought into. I put almost as much time into my live shows as I do into writing music, but they're two completely different processes. Some people think the way I perform live is how I write songs, which isn't true at all.
As a composer I approached the drums differently than a non-composing drummer. I embraced drum machines.
I don't want people to think that I think I'm this great drummer because, to me, I'm just a kid playing drums, and I love music.
As a musician, I don't think I'm the greatest guitar player. I'm a bigger fan of the drums than I am the guitar; I just happen to play guitar. I play drums almost every day at my house. I wrote a lot of songs behind the drum kit, just having the music and vocals in my head and playing the rhythm.
When I joined Nirvana, I was the fifth or sixth drummer - I don't know if they'd ever had a drummer they were totally happy with. And they were strangers. There was never much of a deeper connection outside of the music.
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