A Quote by Moby

I don't think there's anything wrong with not knowing how to play an instrument, but the rise of the non-musical producer has done away with musicianship and focused attention purely on the song's hook.
Rock guitarists usually do not wish to think trains of thought about anything but their own guitar playing during a long solo, and I could not play this way if I were not able to divide my attention between my ever changing musical environment and my instrument itself.
Don't be lazy. Learn your instrument and the kids should be learning that stuff. We have to get back to the musicianship of the music. It's called music, so at some point somebody has to learn how to play an instrument.
The frustrating part is knowing that you've done it before, knowing that you can play, but then your game starts going down the wrong path and you lose confidence. It's so easy to just start slipping away.
Don't get me wrong. I don't take anything for granted. But it seems like the better I play, the more attention I get. And I can't get away from it. You play great, you get attention. But I hate attention. It is weird. I'm in a bind. The more you win, the more they come.
I think it's his perception of knowing how to make a record build, keeping the integrity of the song in the music and really adding a lot of musical elements to compliment my voice and to compliment the song.
A song or an album is never really done. You can work on it forever, but knowing when to call it a day and knowing when to walk away from it is extremely important.
Seskin has the gift of song...his voice has a natural lilt that can’t be learned. The combination of musicianship and repertoire make for a rich and satisfying musical experience.
It's easy to play any musical instrument: all you have to do is touch the right key at the right time and the instrument will play itself.
I think a "song" is, like, just play it on the guitar and sing it. You look out and see thousands of covers of "Animal" for example, so you think, "That was probably a pretty good song, because people feel like it's satisfying to just play it with one instrument accompanying it."
The thing that interests me far more than anything is creating music, songwriting and arranging, and in that context drumming itself is a means to an end. I think it's really easy to forget that - I'd sooner play something musical than flash, and as I can't play anything flash, I try to be musical. Drums can set a mood, create an impression, as much as anything else.
I came from somewhat of a musical family. I had an uncle on Broadway. My dad kind of knows how to play instruments. Although, I always find it annoying when he does play an instrument.
I do get labeled as a guitar band, but the only reason is that's the instrument I know how to play. The guitar is serving the song I'm writing. But I'm learning how to play keyboard better now so that'll start serving the song as well; it'll be another flavor. I'm not going to switch it up with big, fat drum machine beats and real swoopy synths, but yeah...
Never take liquor into the bedroom. Don't stick anything in your ears. Be anything but an architect. Live in a nice country rather than a powerful one. Power makes everybody crazy. Get somebody to teach you to play a musical instrument.
I play a percussion instrument, not a musical saw; it needs no amplification. Where it's needed, they put a microphone in front of the bass drum. But, I don't think it's necessary to play that way every night.
I've always felt a great affinity with music. I've felt myself to be more of a musician than anything else, though I'm not proficient in any one instrument. But I think I have a musical sense of things... and writing seems to me to be a musical experience - rhythmically and in many other ways.
I had an edge in 'Andhadhun' because, being a musician, I knew how to play a guitar, so it was not difficult for me to learn a musical instrument.
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