A Quote by Moby
I feel compelled to make art that on one hand reflects and sometimes almost creates like a sense of comfort when confronted with the strangeness of the world.
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I happen to like regionalism, whatever that means. I like the idea of art that somehow specifically reflects some aspect of a community or culture from which was created, the idea of uniform art sounds dreadfully boring and almost fascistic in its implication. So in that sense, I really celebrate the idea of a place that allows for a range of ideas and certainly L.A. does that.
Works of art are like a Trojan horse. Under the surface is always some artist's deeply held philosophy on their view of the world. But on the other hand, you do not want to make it feel like medicine. You do not want to make it feel like an afternoon TV special where you're trying to hammer a message into someone's head.
In Los Angeles, I feel connected to a hubbub of strangeness. And I enjoy that; I like strangeness.
It's a mission for me to make sure that philanthropy doesn't feel like a vintage hand-me-down from mom or dad. I want people to feel compelled to do something positive because they just love it, they're excited about it, and it's cool.
Science offers the boldest metaphysics of the age. It is a thoroughly human construct, driven by the faith that if we dream, press to discover, explain, and dream again, thereby plunging repeatedly into new terrain, the world will somehow come clearer and we will grasp the true strangeness of the universe. And the strangeness will all prove to be connected, and make sense.
In the midst of the awesomeness, a touch comes, and you know it is the right hand of Jesus Christ. You know it is not the hand of restraint, correction, nor chastisement, but the right hand of the Everlasting Father. Whenever His hand is laid upon you, it gives inexpressible peace and comfort, and the sense that "underneath are the everlasting arms," (Deuteronomy 33:27) full of support, provision, comfort and strength.
The hardest thing to do with an animated movie is to not make it feel synthetic: to feel like it's handmade, where you can sense the human hand in it.
I want the strangeness and weirdness and incomprehensibility of life that art can reflect so well, but I want it to feel like a mystery that is inviting us in. Sagan's great art lesson for me was generosity of wonder and making curiosity contagious.
It is a skill we learn early, the art of inventing stories to explain away the fearful scared strangeness of the world. Storytelling and make-believe, like war and agriculture, are among the arts of self-defense, and all of them are ways of enclosing otherness and claiming ownership.
Most people don't like to be confronted with an actual fact-of-life because it's difficult to metabolize. A painting of a bowl of fruit is much easier. It's for the same reason why we don't like going to the doctor. The diagnosis and x-rays are too honest. This is what creates the perception that contemporary art is shocking or suspicious.
I think that there is a middle-class desire, and maybe an almost universal desire, among many human beings to live in clean neighborhoods, among people like themselves, around people with whom they feel comfortable. That can be exclusive, it could be exclusionary. It could be racist, classist, genocidal, and so on. Most people like comfort. Now what provides a sense of comfort varies. I do think that people who like living in cities like small-scale human interaction and they like the social dimensions of aesthetic diversity that Jane Jacobs wrote about.
I feel like my hand will be a little too high on the football sometimes and that will make the ball go out of whack sometimes.
I'm not anti conceptual art. I don't think painting must be revived, exactly. Art reflects life, and our lives are full of algorithms, so a lot of people are going to want to make art that's like an algorithm. But my language is painting, and painting is the opposite of that. There's something primal about it. It's innate, the need to make marks. That's why, when you're a child, you scribble.
When somebody greedily comes along and thinks that they gonna snatch everything, and you have so many people that have not, the passion that drives me is trying to make them understand that they have to share. So, my art reflects that; the whole reason I do what I do reflects that.
A serious life, by definition, is a life one reflects on, a life one tries to make sense of and bear witness to. Truth in a memoir is achieved not through a recital of actual events; it is achieved when the reader comes to believe that the writer is working hard to engage with the experience at hand. What happened to the writer is not what matters; what matters is the large sense that the writer is able to make of what happened.
Man’s consciousness not only reflects the objective world, but creates it.
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