A Quote by Mohamed Bamba
What makes me unique is my ability to adapt to different situations and switch onto smaller guards and stay out there. Another component to being out there on the floor - and this is something that I learned as my college career went on - was staying on the floor, literally, comes down to not picking up fouls.
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They say it's all fake, but there's nothing fake when a guy picks you up and slams you down or throws you out of the ring onto a concrete floor. They say, 'Yeah, but you know how to land.' Well, you try landing on a concrete floor.
My parents said that I was nine months old and would throw myself out of the crib onto the floor continually. As soon as they left the room after putting me back in they'd hear a big bump and I'd be on the floor again.
The floor of ice cream parlor bothered me. It was black-and-white checkboard tile, bigger than supermarket checkboard. If I looked only at a white square, I would be all right, but it was hard to ignore the black squares that surrounded the white ones. The contrast got under my skin. The floor meant yes, no, this, that, up, down, day, night -all the indecisions and opposites that were bad enough in life without having them spelled out for you on the floor.
I'm a coach's coaching player. I like to be on the floor. So, if the coach tells me what to do out on the floor, I can get it done. I'm really comfortable being directed.
It's as if my left heel is my bass drum and my right heel is the floor tom-tom. I can get snare out of my right toe by not putting it down on the floor hard, and, if I want cymbals, I land flat on both feet, full strength on the floor.
There's so many different styles to it. I use my athletic ability to create shots for open people, I run the floor, then also space the floor as well. That's what I try to do.
Tile is going to the landfill by the metric ton. All we have to do it gather it up, glue it down to the floor and grout it. Then you have a tile floor, and not just any tile floor: it's a mosaic of your own choosing.
Everyone has a different path. I knew no one in the acting industry growing up. I never did a play until college. I was not outspoken when I was younger and I hated being the center of attention. But I had a dream of being an actor. I went to NYU and studied theatre. I learned a craft. And began my career straight out of college.
I think about how much depends upon a best friend. Then you wake up in the morning you swing your legs out of bed and you put your feet on the ground and you stand up. You don't scoot to the edge of the bed and look down to make sure the floor is there. The floor is always there. Until it's not.
I sat for a moment, figuring things out, then decided to stay there. If I was on the floor, I couldn't fall down.
I was 16 at the time, and I came backstage and started hanging out with them. I said, "Well, maybe you can 'vanish' the silk this way." The opening was a black stage while the "Magic to Do" song started playing. All you saw were hands, lit by Jules Fisher, and then Ben Vereen would appear beyond the hands, and at the end of the scene he would vanish a silk. The spotlight would hit a red spot on the floor where you'd see the silk on the floor. He'd pull the silk out of the floor and it became the entire set coming out of the floor.
Jack was mid-jump when I burst into my room. I snatched his ankle,flipping him horizontal.He crashed down hard to my bed and rolled off onto the floor. And laughed. "Let's do that again! But this time I'll jump even higher." "No! No,you won't! What are you going here?" He sat up on the floor and shrugged. "I was bored." "I don't care! I'm not your babysitter!" His blue eyes twinkled.Honestly, whose eyes actually twinkle? Then his face crumpled,his lower lip jutting out.He blinked his ridiculously long eyelashes at me. "I thought we were friends." "Oh,knock it off.
Individually, yeah, I want to be the best version of me. But I want to make everyone else feel comfortable on the floor where they can go out there and they are just playing their game. That's when I'm the happiest, when every guy on the floor is just being that.
Eventually something you love is going to be taken away. And then you will fall to the floor crying. And then, however much later, it is finally happening to you: you’re falling to the floor crying thinking, “I am falling to the floor crying,” but there’s an element of the ridiculous to it — you knew it would happen and, even worse, while you’re on the floor crying you look at the place where the wall meets the floor and you realize you didn’t paint it very well.
The value in having bigs that have the ability to shoot from the perimeter has increased and having bigs that have the defensive versatility to not only protect the rim, but to switch out and defend smaller guards, the value of that has also increased.
When I get on the dance floor, my purpose in being on the dance floor is not to end up at another spot when the music stops. The purpose of the dance is to enjoy every step along the way.
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