A Quote by Mohamed Bamba

My shot-blocking ability, it's really second to none. — © Mohamed Bamba
My shot-blocking ability, it's really second to none.
F1's ability to problem-solve is second to none and our ability to make rapid prototype parts is again second to none.
I don't storyboard, and I don't really shot list. I let the shots be determined by how the actors and I figure out the blocking in a scene, and then from there, we cover it.
You start blocking out things, and that's a really important part of taking a picture is the ability to isolate what you're - what you're concentrating on.
Your run blocking looks pretty similar to what the pass blocking looks like when you're going with the play-action pass. So you really do have an opportunity to get really good at it quickly.
Blocking a shot can really demoralize a person and defer them from coming to the rim the rest of the game. So being able to do that and change the landscape of the game by one play is pretty amazing.
Think about the deflections. The offense can't score every play. They're just trying to get a good shot. If I can deflect a pass, even if it doesn't cause a turnover, it will throw their timing off half-a-second. That half-a-second might mess up their shot.
I got my shot at the movies. I love doing standup live. I didn't know what I wanted to do. I wanted to try movies, so I gave it a shot. I had two shots and I didn't really do it. That wasn't really happening for me. On the second movie I got to meet the girl that would be my wife. So I got to hang out with her and get engaged, and get the whole wedding thing. It was really great.
I think blocking a shot at a crucial point of the game is the most incredible feeling.
My pressure is second to none and my timing and attitude are second to none, and that's what I want to be recognized for; not for being undefeated, because what does that mean? That just means you won. And I want to known for my style and the way that I fight, the timing that I bring and the fact that I rely on my reactions, stuff like that.
It's often necessary to hit a second shot to really appreciate the first one.
Get a shot off fast. This upsets him long enough to let you make your second shot perfect.
Of all the things in sports, getting a sack is one of the hardest things to do. It's like a last-second, game-winning shot in the NBA. A guy hits the last-second shot, and the fans scream. For us (defensive ends), the sack is everything. It's hard to get there. But once you do, there's nothing like it.
Sometimes, it's the little plays that I make that can change the outcome of the game - whether it's blocking a shot or blitzing a guard or getting an offensive rebound.
To have a second movie that you're proud of and that actually turned out the way you wanted, shot by shot, I realize I'm probably going to be able to do this for a little while for my living.
If you look at all the great shot-blockers of all time, they had length, and they had instincts. Even when you look at guards, like Dwyane Wade. He's one of the best shot-blocking guards ever, and he has great instincts. He's kind of cat-like.
Rehearsing is more about blocking in the case of movies, I think, and blocking, of course, is very important to the beauty of a scene.
This site uses cookies to ensure you get the best experience. More info...
Got it!