A Quote by Mohammed Morsi

The world stage is very difficult. It's not easy to be on the world stage. — © Mohammed Morsi
The world stage is very difficult. It's not easy to be on the world stage.
When a new truth enters the world, the first stage of reaction to it is ridicule, the second stage is violent opposition, and in the third stage, that truth comes to be regarded as self-evident.
I think Britain needs to get out there on the world stage and make itself heard. And for much of my political career, there has been a sense of retreat from the world stage because of what happened in the Iraq War.
The world is my stage. I try to be good at it, whatever part I'm playing - even in my daily life or when the spotlight hits me on the stage to perform - I gotta be alive every second in this world. With or without the applause!
When I was doing 'Britain's Got Talent,' I really enjoyed it, but I found it very difficult to be in the audience. I like to be on stage; I feel safer on stage because I'm in control.
Multilateralism is not an easy option. We're going to find that the world is very difficult. And relationships between America and the rest of the world are very difficult.
For the message of television as metaphor is not only that all the world is a stage but that the stage is located in Las Vegas, Nevada.
People who have never done theatre before, and have only worked in front of a camera, would find it very difficult, I think, to know how to command a stage and work with the logistics of being on stage. They're very different. The theatre is quite tricky, actually.
We are living in a world that is in the late stage of a Caterpillar. It is very important to let go of the old and start to gravitate to the new because we are leaving behind a world that is no longer sustainable and moving into a world in which we can thrive.
All the world is not, of course, a stage, but the crucial ways in which it isn’t are not easy to specify
The world of the stage and the performance on the stage usually does not tend to translate very well - it doesn't tend to hold very well - once cameras are on it; it's not like it's terrible or embarrassing or bad anything, but, I, as an actor, would perform a role differently for an audience than I would for just cameras.
We are fast approaching the stage of the ultimate inversion: the stage where the government is free to do anything it pleases, while the citizens may act only by permission; which is the stage of the darkest periods of human history, the stage of rule by brute force.
At 12 years old in the dangerous world that I was in, with a very difficult home life, I found the stage was the safest place to be. It was predetermined and predictable - and furthermore you got to be someone else. All the problems only began when you left the building.
There is that smaller world which is the stage, and that larger stage which is the world.
China on the world stage, in terms of interaction with the rest of the world, has been relatively very new due to the long isolation period until Deng Xiaoping's times.
It was tough doing 'Underneath the Lintel' in New Jersey in the wintertime, but rewarding. Those audiences were lively and interactive. On-stage was great, but off-stage was difficult.
Are we all clear that we want to build something that can aspire to be a world power? In other words, not just a trading bloc but a political entity. Do we realise that our nation states, taken individually, would find it far more difficult to assert their existence and their identity on the world stage.
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