A Quote by Mohan Sithara
I am happy that I could collaborate with poets like O.N.V. Kurup and Yusufali Kechery in my career; they wrote meaningful lyrics, which made my songs last longer.
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At the end of the tour last year, I was completely fried. I felt my soul was begging me to give it a release. Two long trips to Costa Rica and to Iceland I've made were the best things I could have ever done for myself and you see it with the songs I wrote before I left and the songs I wrote after - there are two different Kips in there.
There will be slow songs, sad songs, happy songs, songs about boys, and songs about being who you are. I'm making sure I'm happy with all of the songs, because if I am not happy with them, I can't expect anyone else to be, you know?
And I thought about how many people have loved those songs. And how many people got through a lot of bad times because of those songs. And how many people enjoyed good times with those songs. And how much those songs really mean. I think it would be great to have written one of those songs. I bet if I wrote one of them, I would be very proud. I hope the people who wrote those songs are happy. I hope they feel it's enough. I really do because they've made me happy. And I'm only one person.
No matter what I do, my songs come out in a certain style, and if that sounds like Dead Kennedys, then there's probably a reason for it. Don't forget, I wrote most of those songs, music and lyrics.
I definitely still have ... angst but I also wrote some songs that say it's okay to love, now. I'm happy in my life, and it's a bit easier to write happy songs when you are actually happy.
I also tried to focus on songs that Billie Holiday wrote, songs that she had a hand in shaping, like "Strange Fruit"; songs that were written for her or songs that she wrote herself, like "Fine and Mellow" or "God Bless The Child."
Recording happiness made it last longer, we felt, and recording sorrow dramatized it and took away its bitterness; and often we settled some problem which beset us even while we wrote about it.
'Reign' is probably the oldest one on the record. I wrote that when I was 19. 'The Dead They Don't Come Back,' which is the last song on the album, I wrote when I was 20, and 'Harlem River' I just wrote last year. It spans from 2007 to 2012.
Again there are so many records which contain fond memories and music and songs of which I have to say I am quite proud. There are a couple of tracks which in retrospect on which I now wish I had pushed the red button, however I'm sure this is true of any artist career that has spanned the number of years that mine has. I do not believe however that I have ever made a bad record and I have certainly never made a record to which I didn't give my complete commitment.
I wrote a lot of lyrics in prison, but they'd all be like, 'Crawls upon the shoulders, hatred in the eyes.' I wrote about 50 songs in there that were all about jail. I've come out and thought, 'I've only served eight weeks; I can't really write a concept album about jail.'
There's no difference between lyrics and poetry. Words are words. The only difference is the people who are in academic positions and call themselves poets and have an academic stance. They've got something to lose if they say it's all poetry; if there's not music to it, and you have to wear a certain kind of checkered shirt or something like that. It's all the same. Lyrics are lyrics, poetry is poetry, lyrics are poetry, and poetry is lyrics. They are interchangeable to me.
Every song that we wrote for the first album made it. We didn't think about writing a bunch of songs and picking the best ones. We had to just make the best songs we ever wrote.
And I made a rural pen, And I stained the water clear, And I wrote my happy songs Every Child may joy to hear.
I had an unspoken treaty with myself to never lie in my lyrics, so, for a long time, when I wrote love songs, I would use genderless pronouns, like "dear" and "darling" - like some kind of granny!
When I wrote for myself before as an artist, I probably wrote about 15, 20 songs a year. I thought that was a lot. Then, when I first started writing for the people, I wrote, like, 65 songs in a year for two years in a row.
The first set of lyrics for the first songs I ever wrote, which are the ones on 'Pretty Hate Machine,' came from private journal entries that I realized I was writing in lyric form.
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