A Quote by Mohit Chauhan

It was in Delhi when I started doing jingles and making money through music. — © Mohit Chauhan
It was in Delhi when I started doing jingles and making money through music.
I just think I started off like many composers, just in different fields of music I was doing. I started doing a lot of commercials and jingles, and then that led to doing TV and then films and games and TV.
After graduating from National School of Drama, I started doing theatre in Delhi. But there was not much money in Hindi theatre.
I love doing voiceover work. I started doing voiceover work when I had just dropped out of school, and the first few professional jobs I got were plays, but then I started making money doing voiceovers.
You make decisions, and that's what separates art from some other pop music. It doesn't mean that you can't make an embarrassing amount of money, for a borderline Marxist, doing something that you love, but it does mean that this huge pool of money that was out there when I started making records in the '80s is gone.
I love doing voiceover work. I started doing voiceover work when I had just dropped out of school, and the first few professional jobs I got were plays, but then I started making money doing voice-overs.
When I first started making music, I didn't really know what I was doing. I just wanted to write songs. I didn't have a concept. I didn't think it through. I was just flailing around doing what comes naturally. It took me a really long time to step back and deal with what I was doing with any kind of perspective or self-awareness.
I recognize the inequities certain cultures have to go through. I understand the history of slavery. I know all those things. But I'm not a victim. I can vote, I can participate, I can invest my money, I can invest my time, and that's what I'm doing. I'm not working for anybody. I'm not making any money doing what I'm doing. I'm doing it because someone did it for me.
I'm not a person that really deal in color. I recognize the inequities that certain cultures have to go through. I understand the history of slavery and all those things. But I'm not a victim. I can vote, I can participant. I can invest my money. I can invest my time. And that's what I'm doing. I'm not working for anybody. I'm not making any money doing what I'm doing. I'm doing it because someone did it for me.
When I was growing up, I wasn't in bands, and had really no intention of ever doing music. I went out to California for college, and kind of on a whim started making music really as a joke, and over the course of the next five years started playing a lot of shows, and music became this really integral part of my identity.
I actually only started listening to house music around the time I started making it. I got hooked both to making music and to house music.
I've performed in China, France, New Delhi, and Indianapolis, and everybody just allows themselves to go at it and have a good time. I think that's what I'm doing through music. It's not about 'I'm from here and you're from there.' It's about unity.
I was just tryna make money. That's why I started making music.
My friends started making music, and then I started making covers because I was like, 'I don't have anything to write, but I like music.' So I would just cover Frank Ocean songs.
I became alienated from this religious upbringing, and started making music. I wanted to be a big star. All those things I saw in the films and on the media took hold of me, and perhaps I thought this was my god: the goal of making money.
I am very aware now that music is a business, but there is also a way to go about making music that is true to yourself as opposed to doing, you know, just going through the motions and making things that would just be commercially successful.
I started growing my audience in small clubs through word-of-mouth. I started making music that isn't necessarily commercially viable, and it's not necessarily marketable to my peers to a certain extent.
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