A Quote by Mohit Raina
It is very exciting to be in a period drama like 21 Sarfarosh: Saragarhi 1897.'
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I was incredibly nervous about doing a period drama. I thought that to play period, you had to be English-looking and blonde and very well spoken, and have gone to drama school.
Researching and writing about the Klondike Gold Rush of 1897-98 was one of the most exciting and involving projects I've undertaken.
I certainly do all sorts of work. I'm very, very blessed to do drama and other types of television, and things like that, but I always go back to sci-fi, whenever possible, because that's really exciting for me.
I'd been gearing up to working in theatre since coming out of drama school, but it was an exciting time for TV drama - it was the birth of Channel 4, and Brookside was very cutting-edge at the time.
If someone said, "Would you like to do the period drama?," I'd say, "Hell, yeah! I'd love to do that!" To dig into history and do a story in some period would be great.
What a moment to take the newspaper in one hand and the Bible in the other and watch the unfolding of the great drama of the ages. This is an exciting and thrilling time to be alive. I would not want to live in any other period.
It's lovely going to Oxford, it's very difficult to film there as you're doing a period drama in a city which is very crowded.
Making this movie as a period piece about a period that was very recent in people's minds. I was in Taiwan [during the 1970s], so I hope I did all right. Otherwise, it could be the biggest embarrassment of my life. Also, the story is not linear, it's patchy, like a cubist painting, and there is always the possibility it will not hold together, it will fall apart. The tone is part satire, part serious drama, part tragedy, all mixed together, and it has to hit an emotional core. That's also very scary.
If my dramatic career doesn't work out, I will go on to research and find cures for Alzheimer's or Parkinson's and other motor neuron diseases. It's a very exciting field of research. But I'd like to continue in drama, so it wouldn't be very smart of me if I blew this amazing opportunity with an inappropriate lifestyle.
The Christian faith is the most exciting drama that ever staggered the imagination of man - and the dogma is the drama.
In my last year of drama school, I was Abigail in 'The Crucible' and Nina in 'The Seagull,' and I did some Shakespeare with the RSC. That's what casting directors saw me in, and I got put up for a lot of period drama auditions. I always get told I suit the costumes. I don't think I have a very modern-looking face.
I don't like drama, period.
I have been a part of four different genres - a political satire, gangster drama, thriller and period drama.
You have to be very productive in order to become excellent. You have to go through a poor period and a mediocre period, and then you move into your excellent period. It may be very well be that some of you have done quite a bit of writing already. You maybe ready to move into your good period and your excellent period. But you shouldn't be surprised if it becomes a very long process.
It's very exciting to go from a short to the opening night film within a three year period.
I think it would be very exciting to do a track like Silverstone the other way around, to arrive so quick in Becketts and then Maggotts would be very exciting.
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