A Quote by Mohit Raina

'Uri' has been made on a big scale and it's technically sound as well. — © Mohit Raina
'Uri' has been made on a big scale and it's technically sound as well.
But big people’s illnesses are always made to sound big. The simple shutting and opening of the royal arse-hole was made to sound as if the world was coming to an end.
The blues scale was the first thing I learned. It's just a pentatonic scale with a flat seventh and a few notes that sound cool when you bend them. And because people have amalgamated the blues into this rock-blues scale, if you're using it, you better sound like a real authentic blues player.
I have never really liked gigantic-scale painting. I think that so many artists are seduced by scale - "Well, if I make it that big then it has to go in a museum."
Their eagerness for the big-band music and their ability to grasp the essence of it made me realize that today's generation has not been properly exposed to the big-band sound.
Most big concerts sound disgusting and awful and insultingly bad. It's like going to the cinema and been shown a scratchy film which is upsidedown and the bulb had gone on the projector. The quality of large-scale live music is so shocking.
I don't really class myself as a musician, I can make music but I'm not the greatest technically. There were other people who were technically better than me in school but I knew how I wanted to sound and all I needed was to work out how to do it.
I've always been obsessed with drums. They fascinate me. Any other instrument - nothing. I play acoustic guitar a bit. But it's always been drums first and foremost. I don't reckon on this Jack-of-all-trades thing. I thing that felling is a lot more important than technique. It's all very well doing a triple paradiddle - but who's going to know you've done it? If you play technically you sound like everybody else. It's being original that counts.
Lyrics are the only thing to do with music that haven't been made easier technically.
The first Halloween was very well made. The second one was also well made, though I didn't like it as well as the first one. The third one had nothing to do with the series at all and perhaps shouldn't have been made at all.
I adore burgers. I know they are bad for me, and only technically a sandwich, but a well made burger, juicy and hot off the grill, is wonderful!
I played Mother Abbess in The Sound of Music and everybody's like, "Well she wouldn't have been this and that, she shouldn't be playing it." Well I'm going to do it and I did it. I've been warned my entire life and I've persisted and that's what I hope my children will do as well.
What happened in Snowtown was repeated many times in history, in a big scale and a small scale.
Scale is very, very important, like the scale of a person is very important. It's to do with the size of our space, the fact they are big sculptures, they are still human scale.
A common greeting was 'Well, Gillette, how's the razor?' If I had been technically trained, I would have quit.
Scale is a mental - you can say that a lounger has scale, a building has scale, or an object has scale, or a page, or whatever if it's just right. A scale is a relationship to the object and the space surrounding it. And that dialogue could be music, or it could be just noise. And that is why it is so important, the sense of scale.
For me, the scale of the budget is part of the creative process. 'Swingers' is the movie it is because we made it for exactly the right budget. Had it been made for a higher number, it would not have been as imaginative as we had to make it, given the budget constraints we had.
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