A Quote by Mohit Raina
Had it not been for the emergence of OTT platforms, Kaafir' would still be a story on papers.
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The writer of Kaafir,' Bhavani Iyer had to keep the story with her for 13 years, the producer, Siddharth Malhotra, could only provide justice to the story after struggling for eight years.
OTT platforms have taken away the pressure that would plague films earlier... the pressure of box office, the number of screens it will be played in, what kind of stars it has or even the pressure of censorship... This is a really big deal.
I'm still trying to figure out how to write about cancer and my family's experience with it. If I had been able to write 'The Pura Principle' back in those days, I'm positive it would have had no humor in it. Which means the story would have been false.
I chose to be part of 'Kaafir' because the story called out to my soul, I need to connect with it.
I believe that OTT platforms definitely have helped neutralize the budget debate in the industry. Instead of only casting A-listers in the lead, makers are now more receptive and willing to try out newer actors for their big, multi-million projects.
I don't see cinema suffering because of OTT. We should not lose our sleep thinking OTT will finish the future of cinema halls, it won't.
OTT platforms have opened up a whole new area to explore in terms of content, writing, acting, everything. But I'm not really very comfortable with the four-letter cuss words in all languages, which are now used liberally; I'm a bit old school.
If man had written the Gospels - say Shakespeare or Eugene O'Neill - the story of the gospel would have been drastically different. They would have placed the prince in halls and palaces and had him walking among the great. They would have had him surrounded by the important and significant of the time. Potentates and kings would have been His companions. But how sweetly common was the real God-man; though He had inhabited all eternity, He had come down and was subject to the rising and the setting of the sun.
My life has been a dream. If someone had to write a story about it, it would seem a little unreal. It's the kind of story I would read and say, 'Nah, that's not possible.'
'Kaafir' has come along because I have never been more aligned with my truth.
I had wanted to make this film [Suffragette] for over a decade. There has never been a cinematic rendition of this story. I had not been taught any of the history of the movement at school, and the version I had gleaned had been the Mary Poppins story of women in large hats, petitioning. There was another version.
The papers that flourish will be papers that serve a national audience. Papers that have figured out how to make the transition to the electronic platform that aren't simply providing a duplicate experience of the words on paper experience, but are doing something that arises organically from the new electronic medium. It's really just a matter of finding the right platforms for the way people want to read newspapers. I mean, maybe it will be the iPhone. But one way or another, newspapers on paper are just not really going to exist to any significant degree within a decade.
Even if you got rid of paper, you would still have story-tellers. In fact, you had the story-tellers before you had the paper.
I won't say that the papers misquote me, but I sometimes wonder where Christianity would be today if some of those reporters had been Matthew, Mark, Luke and John.
Mia and I had been together for more than two years, and yes, it was a high school romance, but it was still the kind of romance where I thought we were trying to find a way to make it forever, the kind that, had we met five years later and had she not been some cello prodigy and had I not been in a band on the rise - or had our lives not been ripped apart by all this -I was pretty sure it would've been.
We hope 'Toy Story 3' looks amazing but still retains the character design of the first film. I like to think it looks like 'Toy Story' would have looked back then had we had the skills and the technology.
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