A Quote by Mohit Raina
There was a lot of unlearning to be done when I moved from TV to films.
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I've love to do more movies. Just because I'm interested in the medium very much. I've done a lot of theatre at this point, and I've done a lot of TV. I've done a few independent films, but a lot of them have not seen the light of day. It'd be really nice to be in a film that gets out there.
All the jobs I've gotten in the last two years are because directors have seen the work I've done - indie films, plays, short student films, TV - since I moved to the states in 1996. I mean, I have an entire career in Canada that nobody has seen.
I've done some wonderful performance on TV even better than films. But once people watch it, they just forget it. The impact is not strong. So, films and TV are different.
It's very strange what happens when I start working for a film. In my life I've done a lot of stuff - I did a lot of dance music, a lot of TV shows and lots of different types of films - and every time it is a new experience.
I think when I got drawn to film, I didn't know it was a business. I mean, like most filmmakers, I probably saw more films than a lot of people when I was a kid. But I watched them on TV as well. I was no purist about it. I spent lots of time in movie theaters, but I also watched a lot of films on TV.
Once the script is done, I put it aside for a month. I start thinking of all the films that have influenced me, which I have liked for different reasons, and not necessarily the look, but films that have moved me. Some very strange films came to mind.
I don't want to do roles in films which I have already done on TV. What is the point of jumping to films and doing the same thing?
I saw a lot of 47 Ronin on the TV, in the films, and I've done Chushingura Gaiden Yotsuya Kaidan [Crest of Betrayal, 1994] directed by Kinji Fukasaku.
Back in the '80s, a lot of the images I used were from TV or from films on TV.
Actors and actresses have done a lot of films with their legs, with their arms, with the whole crew and the camera. Why shouldn't they be as good as a first-assistant director who has made three or four films? They've done it with their body!
I want to do comedy films, serious films - I admire the actors who fly under the radar but get loads done, pop up in a lot of good films.
I've done TV for tons and tons of years, so I'm not crazy about doing more TV, but with films, all I want to do are different projects that aren't all the same.
I spoke English when I moved to the U.S.A. but I had an accent. To get rid of it, I watched a lot of TV-shows and tried to repeat after the tv-hosts. I liked shows about hip-hop.
Unlearning is gaining importance as workplaces are moving towards agile, collaborative working models. While conventional education adds to our knowledge, unlearning will become the new learning in the coming decade, as concepts and ideas keep evolving.
I went to theatre school for four years and just wanted to do theatre. I had no ambition to be on TV or to be on camera. I just wanted to go to New York or London and be on stage... I did a lot of theatre in Montreal, got involved in TV in Toronto and then moved to L.A. I hope that film and TV will take me back to theatre.
My focus are only films. There is something special about films as when it is being played in a dark theatre, the audience is watching only you. Whereas in TV there are a lot distraction.
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