A Quote by Mohsin Hamid

We think of the romance novel as a lesser form of literature, but I don't think that's true. Love is a very important aspect of human life and worth exploring. — © Mohsin Hamid
We think of the romance novel as a lesser form of literature, but I don't think that's true. Love is a very important aspect of human life and worth exploring.
A romance novel is more than just a story in which two people fall in love. It's a very specific form of genre fiction. Not every story with a horse and a ranch in it is a Western; not every story with a murder in it is a mystery; and not every book that includes a love story can be classified as a romance novel.
I actually think that the Russians are exploring the idea: Is it worth ending this conflict in the Donbass in eastern Ukraine, creating peace, getting out, and what would that look like? I don't think they're committed to it yet; I don't think they've made a decision one way or the other - but I think they're exploring it.
Most of the jokes that I wrote were funny and there always seems to be an aspect of comedy in my long-form work. I think that's how life is. I think even the more dramatic moments of one's life are often punctuated by very funny comments or situations. I like to say, "Keep your comedy serious and your drama funny, and you'll be pretty true to life."
In Italian, the word for novel is romanzo, "the romance." The English is "novel" - something new. Both of those elements, experimentation and love, are fundamental to the form.
I think true romance is dry schizophrenic... but life would be so boring without true love, so I guess you just roll with it.
When you think about your relationship with Christ, it really just affects every aspect of your life. I think a lot of people try to segment off, like, 'This is church, so this is God, this is my daily life, this is my job,' but I think true faith is when it manifests itself in every single aspect of your life.
I think my style is very eclectic, because I love so many different things. And, that's true, too, in almost every aspect of my life. I can go from really edgy to tailored and professional, and I just love to change things up.
I don't really get the same kinda romance that I would get from, like, jazz. And even to a lesser extent to rock 'n roll. Rock 'n roll has a romance to it - how can I put it? A very vulgar romance, but still a romance; whereas hip hop has more facade.
I think the "crime novel" has replaced the sociological novel of the 1930s. I think the progenitor of that tradition is James M. Cain, who in my view is the most neglected writer in American literature.
I'm skeptical that the novel will be "re­invented." If you start thinking about a medical textbook or something, then, yes, I think that's ripe for reinvention. You can imagine animations of a beating heart. But I think the novel will thrive in its current form. That doesn't mean that there won't be new narrative inventions as well. But I don't think they'll displace the novel.
I think escapism is very important, certainly in my life. I love nothing more than escaping into the world of a film or a novel. To be involved in creating that for other people is a privilege.
I do think evolution is an important aspect of keeping a tradition alive. If it freezes and remains very static in its form, it dies, and so a natural evolution has to occur.
I don't really think in terms of the future of literature. I think literature will be around "forever" - but in a relatively niche way, like jazz and poetry, although probably more widely consumed than jazz and poetry since it's fundamentally a narrative form. And I think that's important and places like Word Riot and 'The New York Tyrant' and 'n+1' will be responsible for keeping it alive.
In fact I don't think of literature, or music, or any art form as having a nationality. Where you're born is simply an accident of fate. I don't see why I shouldn't be more interested in say, Dickens, than in an author from Barcelona simply because I wasn't born in the UK. I do not have an ethno-centric view of things, much less of literature. Books hold no passports. There's only one true literary tradition: the human.
Anytime I have communicated with college-going people, fresh out of college, looking for a job - money is very important, that is just so important. What is not important is how do you plan to live your life or the larger picture. Not that I had such philosophical intentions when I was 18, but I think there was lesser importance for money.
I think a very important aspect of language has to do with the establishment of social relations and interactions. Often, this is described as communication. But that is very misleading, I think.
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