A Quote by Mohsin Hamid
Pakistan hasn't been cast in the role of... interesting cultural place or, you know, land of great comedians.
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So much of what we know, and what we think we know, about the land has first passed through someone's lens. The interesting thing is to make use of this history, not merely to be absorbed into it. For me, landscape photographs begin as the artifacts of personal moments. They get interesting when they become cultural commentary.
There have been times when I've been asked to do things and I've thought, 'This is great! This is a great script. But, I do not believe myself in this role.' I pretend I'm the producer and I think, 'If I was making this movie, would I cast myself in this part,' and if that doesn't feel right to me, then I don't even go audition for it.
There have been times when I've been asked to do things and I've thought, "This is great! This is a great script. But, I do not believe myself in this role." I pretend I'm the producer and I think, "If I was making this movie, would I cast myself in this part?," and if that doesn't feel right to me, then I don't even go audition for it.
America always thought it was helping Pakistan. But if it hadn't helped Pakistan, Pakistan would have been a stronger country.
When 'Sahib Bibi... ' was being cast, I wanted to do Chhoti Bahu's role, but Meena Kumari had been cast. So I didn't think I would be part of the film.
Comedy was never a scarcity in Kollywood. Comedians of great calibre have emerged from this land.
Despite their rising international acclaim, Sachal Studios remains virtually unknown in Pakistan. The ensemble is faced with a daunting task: to reclaim and reinvigorate an art that has lost its space in Pakistan's narrowing cultural sphere.
My father's from Pakistan and he has been a secularist all his life. In the Pakistani context, there's no messing with religion. There's been a battle for the soul of Pakistan since 1947 and I have grown up without any illusions about the dangers of religious power in the context of a country like Pakistan.
Pakistan now is like a horror film franchise. You know, it's 'Friday the 13th, Episode 63: The Terrorist from Pakistan.' And each time we hear of Pakistan it's in that context.
I think poetry can be a kind of secular way in which people can be led to approach the difficult parts of their life, where there's been loss, where there's sadness of a deep kind. If poetry can help people to be more at ease in expressing even to themselves a lot of the darkness and pain of ordinary human existence, then it's serving some kind of cultural role, perhaps more than a cultural role, perhaps it is serving something of a spiritual role.
There's actually a time when I got cast in something and it was announced that someone else was cast. I hadn't been told yet if I had the role and I had a breakdown because I really wanted it and it was announced on this website that this other girl had gotten it. I was so sad and called my agents and said, "You guys didn't tell me this other person got the role!" They were like, "No, they haven't decided yet." Then two hours later I got the call that said I had the role.
Living in Pakistan, you didn't have a sense of how huge and varied America was geographically. I had visited once. I thought of it as this crazy, happy, exciting place where everybody's rich, and there's stuff everywhere. Compared to Pakistan, it's not untrue. Compared to Pakistan, the streets are paved with gold.
We accept it as normal that people who have never been on the land, who have no history or connection to the country, may legally secure the right to come in and, by the very nature of their enterprises, leave in their wake a cultural and physical landscape utterly transformed and desecrated. What's more, in granting such mining concessions, often initially for trivial sums to speculators from distant cities, companies cobbled together with less history than my dog, the government places no cultural or market value on the land itself.
The question really is what will be the central focus of global politics in the coming decades and my argument is that cultural identities and cultural antagonisms and affiliations will play not the only role but a major role.
If there's an interesting role that comes up as a great support role in a decent picture, then I'll do that.
I think any life can be interesting, any surroundings can be interesting. I don't think I could have been so brave if I had been living in a town, competing with people on what can be called a generally higher cultural level.
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