A Quote by Mohsin Hamid

Being outside the candy store looking in is the state of people today. Whether you're in a Pakistani village watching somebody in a car drive by, or you're in the city of Lahore going to a restaurant and seeing somebody with a security entourage coming in... you're exposed to people with more.
They will find somebody younger, somebody funnier, somebody more engaged. As long as the court genre is viable, people are going to be looking for someone to knock me off of my perch.
There have always been elements in the Pakistani state that have been hostile to India; which is not to say that the Pakistani government as a whole is responsible for bombing Indian cities. But I think there are entities in the Pakistani security services that operate more or less autonomously. Their role certainly needs looking into.
One time there was a student at Punjab University in Lahore who came down with cancer and his friend came to me for help. I stood outside on the street in Lahore and asked the people in that city for help. Within four or five hours, I received more than 40 million rupees [more than US $670,000].
Everything I did to get back, if it wasnt for my team, it was for my city. Thats one thing that I bought into from Day One. Im not just here in this city to play football, Im here to actually create real change in this city. If my effort can give you hope, faith or love, then so be it. Ill give everything I have, and today was about me giving everything that I had, showing people that no matter the circumstances that you may be going through, just push through it. If you can push through it, you will encourage somebody. Today, hopefully through what I did today, somebody was uplifted.
I think we still have a love for cars, and whether you're going to be driven in a car or whether you drive the car yourself, I think most people still want a good-looking car. That's the reason why, when you order a cab, you prefer a sedan over a minivan to pick you up because it just isn't as cool to be driven somewhere in a minivan.
What you're trying to create is a certain kind of an indispensable presence, where your position in the narrative is not contingent on whether somebody likes you, or somebody knows you, or somebody's a friend, or somebody's being generous to you.
I love to just listen and watch. I could happily watch a security camera at a store. Often during a day I'll see a guy selling pretzels or an argument that somebody's having on a stoop and I'll think, "Oh I wish I had my camera, I wish I could capture this moment." There's something about people being people and interacting that can be so beautiful when it's framed by a camera. That desire to capture people as they are, and the stubbornness to keep going when they don't necessarily want you to capture them being who they are, are key.
When you have the ability to affect other people and be somebody that somebody wants to emulate, care enough to help somebody else for their benefit, that's what makes you a good teammate, and that's what everybody's looking for.
When music turned into being like candy - what people don't realize is, yes it's candy, but candy has long-term effects if you're just eatin' it as your main meal. And that's a problem, 'cause if you got music that keeps comin' at you, that keeps coming like a piranha, coming and rippin' at your soul, it's like yeah, I'm takin' this in, but there's not much of me left. Then you'll be lookin' for something outside of music to satisfy you, or take you away.
My eating habits are the only behaviour of mine that are still manic. I can't walk by a restaurant, a bakery, an ice-cream store or a candy store without making a purchase; the amount of calories I take in today are at least five times as many as I took before starting on all of this medication.
Today somebody is suffering, today somebody is in the street, today somebody is hungry. ... We have only today to make Jesus known, loved, served, fed, clothed, sheltered. Do not wait for tomorrow. Tomorrow we will not have them if we do not feed them today.
'Singing Saw' was exactly seeing through my eyes; 'City Music' let me write from somebody else's perspective, somebody living in New York.
There’s no black male my age, who’s a professional, who hasn’t come out of a restaurant and is waiting for their car and somebody didn’t hand them their car keys.
In real life, a relationship takes a long time. Either somebody is involved with somebody else, and that's ending, or somebody's hung up on an ex, or your job isn't going right, and so you're focused more on that than relationships. It just takes a lot for two people to get together.
There is a gambling element to being somebody who is going to take on the job of constantly trying to represent and prop up people who might be somewhat shady. That notion is probably part of how they got the rap. But, I have to find the balance of being colorful, being at times despicable, and also being somebody who does believe in something.
In a real world, the one outside the rarified atmosphere where Popes meet Archbishops of Canterbury, people no longer care whether somebody is an Anglican or a Roman Catholic. They already take it for granted that being a "believer" is more important than having a denominational name-tag any day of the week.
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