A Quote by Mohsin Hamid

When I'm writing well, I feel happy. And when I go too long without writing, I begin to implode. — © Mohsin Hamid
When I'm writing well, I feel happy. And when I go too long without writing, I begin to implode.
I'm too impatient to wait for things to happen to me. If I should be out of work for two months I would go crazy. So as soon as I'm free, I start writing. While it is necessary for me to write, I know that if I go too long without acting on the stage I don't feel well.
If I went for too long without writing, I would start to feel like something inside me was dying.
Here is a simple recipe to begin with. Get up every morning with the set intention of writing and go to your desk and sit there for three hours, whether you accomplish anything or not. Before long you will find that you are writing madly, not waiting for inspiration.
Everything can be going well, but if I'm not writing, I'm not happy. When I'm writing well, I'm like a different person.
I may be writing well, I may be writing poorly, but I enjoy the act of writing and sometimes when it turns out okay, I feel an elation that is incomparable.
In the early days, Porter Wagoner would not exactly scold me, but he's say, 'You're writing too many damn verses. You're makin' these songs too damn long.' And I'd say, 'Yeah, but I'm tellin' a story. I have a story to tell.' And he'd say, 'Well, you're not going to get it on the radio.' If I start writing a song, I'm writing it for a reason. People would say that I had to have two verses, and a chorus, and a bridge. I tried to learn that formula.
When it comes to sermon writing, generally there are two problems. Some preachers love the research stage but hate the writing, and they start writing too late. Others don't like doing research, so they move way too fast to the writing part.
A dry period for me means perhaps going two or three nights without writing. I probably have dry periods but I'm not aware of them and I go on writing, only the writing probably isn't much good.
I don't like to use writing assignments, exercises. I think too often people get comfortable writing in that vein, but you can't go on to write a novel comprised of short writing exercises.
I think writing a poem is like being a greyhound. Writing a novel is like being a mule. You go up one long row, then down another, and try not to look up too often to see how far you still have to go.
I think all writers are mainly writing for themselves because I believe that most writers are writing based on a need to write. But at the same time, I feel that writers are, of course, writing for their readers, too.
I have to go on writing because I wouldn't be able to go on without writing. It is the only function that works for me, and without that function, I would die.
Write all the time. I believe in writing every day, at least a thousand words a day. We have a strange idea about writing: that it can be done, and done well, without a great deal of effort. Dancers practice every day, musicians practice every day, even when they are at the peak of their careers – especially then. Somehow, we don’t take writing as seriously. But writing – writing wonderfully – takes just as much dedication.
I wrote 'Happy Man' with a couple of boys of mine. I have been writing in Nashville for a long time. Of course I was writing songs back in Oklahoma when I was a kid.
It's a hard thing to examine and difficult to speak for other writers, but when I look at my own writing there is often too much reticence. And that's a flaw I have as a person as well. I'm too reticent. I'm non-confrontational to a fault. And I'm risk-averse, which probably shows in my sentences. The aversion to long lines, the tendency to strip things back and be spare. My writing is an act of erasure that's tied up with my personality. I can easily produce a ninety thousand word chunk of writing and then cut back and back until I've only got ten thousand words. Or nothing.
I don't believe in writer's block, writing well is very easy; it's writing horribly, the horrible work necessary to do to get to writing well, that is so difficult one may just not be willing to do it.
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