A Quote by Molly Antopol
It really made me nervous to write about it [Holocaust] and to approach it, because I was nervous about how to do it respectfully, and I was also thinking about how I could add something new to something that had already been so explored.
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Before I went to New Orleans, I was a little scared of New Orleans. I don't know why. I had only been there a few times. Something about it made me feel nervous, knowing a bit about the history.
And I also am very nervous about implants. You know, I'm just nervous about all that. So I could still do it. I could think about it. But I needed to adapt to myself.
I write about what I'm thinking about. I write about what is bothering me or what is a political, aesthetic, or ethical issue or something, and then I figure out how to do it. I don't write essays that kind of just sustain one thought. I tend to move around because that's what I like.
When I'm nervous, I know I care about something - you should be nervous about things that you want.
I think I'm most nervous about revealing how nervous I have always been. People think me calm, confident, poised. Inside I'm a jelly.
My thought process when I'm on the court is always thinking about getting better, and thinking about how I'm playing. Thinking about it as a process, as the big picture and what I need to work on, instead of being close-minded and thinking, 'I'm so nervous and have to win this match, if I don't, it'll be the worst.'
So while most people dealt with the scale every Monday at the Berea training facility nervous about how high the number was going to be, I was the one that was nervous about how low the number was going to be.
Try something new when you feel great about yourself! Try something new because you have been dying to try it, thinking about it for weeks, and have had multiple discussions about it. Do not make brash decisions because you feel ugly and think this will be the answer.
With music, you're really showing someone a piece of your soul. You're saying, 'This is mine. I wrote this, I made this, I'm performing this. This is how I'm presenting it to you.' There's something really scary about that, but there's also something next-worldly about it, too.
I've always been interested in Vietnam, feel it's a seminal event in our nation's history, and have explored it over the years - but I hadn't been interested in doing a documentary about it. I felt there had been a lot done about Vietnam, and didn't know if I could add anything new to the discussion.
When I was younger, it was about doing something that made me nervous. Now, it's for many different reasons. I've had the opportunity to have fun. I don't know why that is, but I like it.
There's something great about being a really young actor because you don't have a chance to be nervous. You don't know anything yet. Whereas one of the big challenges as you go through - I've been doing acting professionally for 10 years now - is to not let all the things that you know hold you back and make you more nervous. Once you've had a few people tell you that they don't like your ideas, that voice in your head can creep in that says, "Don't tell them what you think."
I've always been paranoid about the police, because even when I'm not doing anything illegal, I'm thinking about doing something illegal. So, whenever I'm around a cop, I get uncomfortable and nervous, worried that I'll say the wrong thing or look so guilty they'll arrest me anyway. Being completely out of my mind on drugs doesn't help the situation any.
I write songs when I need to. That's how I write songs: when there's something that's bugging me. If something's troubling me, and I don't really know how to articulate it to people directly - my friends, my family, or my girlfriend - then I'll write a song about it because I know I can articulate it that way.
I feel like the future is unwritten. So many of the things that we write now haven't been about educating people on the environment, they've been about disseminating facts. But I feel like it could be productive to write something that explored directly the idea of fragility.
There's no doubt about it: fun people are fun. But I finally learned that there is something more important, in the people you know, than whether they are fun. Thinking about those friends who had given me so much pleasure but who had also caused me so much pain, thinking about that bright, cruel world to which they'd introduced me, I saw that there's a better way to value people. Not as fun or not fun, or stylish or not stylish, but as warm or cold, generous or selfish. People who think about others and people who don't. People who know how to listen, and people who only know how to talk.
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