A Quote by Molly Bloom

When I'm in a hectic crowd of people, I don't feel great. I'm looking over my shoulder. I feel exposed. — © Molly Bloom
When I'm in a hectic crowd of people, I don't feel great. I'm looking over my shoulder. I feel exposed.
I do feel my loved ones that have passed on; I feel them looking over my shoulder... So yeah, that's pretty profound, when you're not expecting it, you didn't particularly believe in it and then it just sort of happens too often to ignore.
Who do you hang out with?" Natalia asks, looking over my shoulder. She's always done that. Wherever you are, whoever you are, she'll always look over your shoulder to see if there's someone more exciting to speak to. It used to make me feel paranoid.
I don't feel the breath of a thousand people over my shoulder.
The times when I feel not alive is when I feel stifled, when I feel like the emotion that's in me is not coming out. I'm too busy, too hectic. I'm serving my iPhone more than my spirit. Those are the times I feel bad.
In a way you can feel that the poet actually is looking over your shoulder, and you say to yourself, now, how would this go for him? Would this do or not?
I think in theater it demands that you say the same words every night and make it feel fresh and new. Improv demands that you be operating at the highest level of your creativity intelligence. So these two skills are both very important but I've seen people who are very skilled at one area struggle with the other. Either improvisers feel constrained by having to say the same thing over and over again or people who are really good at doing scripted work feel intimidated and exposed doing improvisation.
I do think that we all draw limits and I feel like part of the work of an artist is it shouldn't be fun. This shouldn't be comfortable. I'm not looking to make people feel unsafe, but I am looking to make people feel uncomfortable.
I play with a chip on my shoulder always, I feel like people don't always give me credit for my skills and talents and that's just the way it is. I also don't care too much, I don't feel like I'm crazy disrespected. I have a chip on my shoulder at all times.
I tell personal stories associated with aspects of the theory, and I hope they are interesting and compelling. I don't feel you're going to change a grownup's mind in one reading. People have to be exposed to scientific ideas over and over again for years. It's also not a textbook.
I still deal with triggers and neuroses that I've developed over the decades. But I do think I have a great amount of compassion for people who feel that they don't fit in, or people who feel they have trouble finding their place in this world.
However, I don't feel the world is looking over my shoulder when I am working - I never think about this at all. What I think about is trying to make my work pure, and if it is pure then it can be accessible. It is quite straight forward really.
I feel the weight of just telling the truth. There really is no weight to telling the truth. It's a little scary sometimes, but if you tell the truth, you don't have to be looking over your shoulder.
I'm over smoking. You know, I feel like I've gone on long hikes and gotten to the top of the mountain and I'm looking at something beautiful, some great huge landscape, and there's some of the cleanest air that's on the planet. And then I light up, and say, "Ahh, what a great smoking moment this is!" So it's something evil that's taken over, and I want control over it.
Writing feels safe, you know, it's a hard job, but at least you're in your office or wherever you are and there's no one standing over your shoulder staring at what you're writing. And when you're directing, everybody's looking over your shoulder.
I know what it's like to feel the fear of battle. To be constantly looking over my shoulder and thinking every sound might be a bomb or a bullet. When I served in Afghanistan in 2009 I felt that fear, but I made a choice to serve in the army and I knew I could come home to safety at the end of my tour.
If I were ever to grace the pages of 'Vogue,' I would want my image retouched because the audience is so vast. There is great vulnerability in being exposed to that many judging eyes. I feel no small amount of guilt over this willingness to surrender my ideals.
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