A Quote by Molly Bloom

High stakes, low stakes, poor or rich - people will find a way to gamble. — © Molly Bloom
High stakes, low stakes, poor or rich - people will find a way to gamble.
the real stakes in the theater are high - they are life stakes. That's what I love about it. You gamble with your life, and that's a gamble worth taking.
Every fight means everything. I have to stay focused no matter how high the stakes are or how low the stakes are, you have to stay focused and follow the game plan. At the end of the day it is going to be you and that guy in the ring and it's who wins the game will win the fight. That's what I learned.
The stakes are so high because auditions are make or break. You get the job or you don't. The stakes are about as high as they get, for yourself and your own self-esteem.
Baseball is a little bigger gamble than most, and the stakes are pretty high.
In an archery contest, when the stakes are earthenware tiles a contestant shoots with skill. When the stakes are belt buckles he becomes hesitant, and if the stakes are pure gold he becomes nervous and confused. There is no difference as to his skil.
When the stakes are high, bow down low.
As far as I'm concerned, the stakes are always very high. Whether it's playing at the White House or playing for a group in my own house - you know, one of those soirees I play in. Once I start playing, the stakes are somehow higher, in a way, than any of the context.
I got a little bit of a sense for the subculture, which is the equivalent of any subculture, really. The stakes are high, even if you live in a small town. It's like the annual bass fishing contests, or whatever it is. The stakes are always absurdly high, and this is no different. The competition at this butter carving things, from what I understand, is not that far off from what we're depicting in the movie.
In New York the stakes are so high. In urban centers the stakes are so high. You marry the wrong person, you go to the wrong college, you take the wrong job. Any of these things could really get you in trouble down the road. Or in your mind anyway. You're afraid to make any move, it's paralyzing.
'Zero Dark Thirty' raised the stakes. It raised the stakes in cinema, man. I don't think people really know how to grasp what type of film this is.
I see Macbeth as a young, open-faced warrior, who is gradually sucked into a whirpool of events because of his ambition. When he meets the weird sisters and hears their prophecy, he's like the man who hopes to win a million - a gamble for high stakes.
I've been doing sci-fi for two years, and there is always something big going on. The stakes are always huge. You're fighting for your life, or you're dealing with personal stuff. It has really high stakes attached to it, and there are green screen and explosions. You're going out on these really cool locations.
In Bollywood, the film's stakes are as high as the actor. In Hollywood, they are way above, and the day we realise this in our industry, we will start appreciating actors.
The trick to making a story matter is that every now and then, somebody you care about has to go. If it's somebody that you don't care about, then it doesn't really have - the stakes aren't there. But if you do that every now and then, then the story matters to people. And there are actual stakes involved, emotional stakes.
We think it will be shortly afterwards, but it seems a terrible thing to gamble with such big stakes in diplomacy without having your master card in your hand.
I've said that movies are the highest stakes make-believe game in the world, and this is truly the most highest stakes.
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