A Quote by Molly Crabapple

Working as a model liberated me from ever having to hold a day job. I transitioned from doing that to working full-time as an artist. If you're 19 and living cheap, being an artist model can sustain you.
Working a model liberated me from ever having to hold a day job. I transitioned from doing that to working full-time as an artist. If you're 19 and living cheap, being an artist model can sustain you. I dropped out of college at 21 and my illustration hadn't yet taken off. It is more than working in a store. It is a hard way to make a living but you earn more than in a similarly unskilled job.
What a model of an artist was for me was an artist who worked. Picasso was the ultimate model, because the work ethic he had.
I'm not a role model, nor have I ever tried to be a role model. The only thing about me as a role model is I've managed to stay here and be working and survive. For 40 years.
Having people around you that are honest with you, and having a team around you that can actually track and communicate where things are working and where they're not working, is really an invaluable asset to an artist's career. I just see it time and again, people who have no clue about that stuff. It's frustrating, and I see the frustration for them. It's a weird thing being an artist, trying to navigate the music business with little to no help.
If you're an artist or someone creative, it's all about cheap rent and not having to work for a living. That's what it's always been about. Unless you're a trust-funder or you somehow score a great part-time job or you work for another artist, you're going to go where you can afford to live.
The modern artist is living in a mechanical age and we have a mechanical means of representing objects in nature such as the camera and photograph. The modern artist, it seems to me, is working and expressing an inner world - in other words - expressing the energy , the motion and the other inner forces ... the modern artist is working with space and time , and expressing his feelings rather than illustrating.
I was working in Camden Lock market from the age of 13 to 16, and people often suggested that I should be a model. I knew a girl working on a stall who was with Take Two model agency, so I decided to go along, and they took me on.
My dad was always such a frustrated artist. He always worked very hard to support his family, doing a bunch of ridiculous jobs. He wanted to be a painter, but then he also wrote science-fiction novels in his spare time. He was always so frustrated having to work to support the family that I was like, I'm never going to do that. I don't want to just be working a menial job to support my family and dreaming of being an artist. We learn from our fathers in that way.
I really wanted to be a model when I was little. I loved photography, and I loved being on camera. But I was short and chubby, so I couldn't. Anyway, being an artist is way more interesting than just being a model because it's about you and what you want to be. You're not being treated like a clothes hanger.
I was never a model-y model. I was doing it as a job, but people didn't even know I was a model.
I just always wanted a platform. In the past, I always dreamed of having a following and a fan base - you know, a group of people just listening and paying attention to what I was making. I think the reality kicked in that you have to make a living so that you have enough time to keep creating, you know? 'Cause if you're not making a living at this, then you're making a living working another job, and if you're working another job, you're spending all your time doing that and can't put enough time into the music.
A true artist could and should create till the day they die. You don't ever fail as an artist until you quit being an artist.
If you have a business model that relies on customers being misinformed, you better start working on changing your business model.
I have a backlog of novels which I would love to be working on and would be working on if I were not obliged to hold down a full time job.
I wouldn't call myself at all as a crossover artist - I kind of hate that word - but in a way, you need to see me like that, because I'm working in classical music, I'm doing these other projects, and I'm having a rock career at the same time.
When I am not working as a model, I spend time with my family or working on my art projects in my studio.
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