A Quote by Molly Haskell
I would trade many an art-film classic for the final exchange between Redford and Streisand in front of the Plaza.
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The choice we face is not, as many imagine, between heaven and hell. Rather, the choice is between heaven and this world. Even a fool would exchange hell for heaven; but only the wise will exchange this world for heaven.
A piazza is not a plaza. The plaza is the theme park of the piazza; the plaza is the commercial version. A piazza is an empty space with no function. This is what Europeans understand.
A final agreement between Israel and the Palestinians has to be based on a program of exchange of territory and populations.
Hip-hop is one of the most free art forms there is. There's so many sounds you can use, so many things you can bring in. You never know, man. I bet years ago people would've never said they would hear me with Rick Ross, and we did four classic songs together.
I'd love to do a noir. I think Steve McQueen is so cool. But a classic film is a classic film, and perhaps the fantasy of being those characters should be left alone. You're treading on very thin ice.
We also exchange oil for software technology. Uruguay is one of the biggest producers of software. We are breaking with the neoliberal model. We do not believe in free trade. We believe in fair trade and exchange, not competition but cooperation. I'm not giving away oil for free. Just using oil, first to benefit our people, to relieve poverty.
So I feel now very much like a guardian. I'm standing in front of art. I'm standing in front of cinema. I'm standing in front of Black culture. I'm standing in front of the history of America, and I'm protecting it by making art, by protecting our art, and by promoting our art.
I believe in free trade. I don't support regulating trade prices between different regions. Our point of view is we don't want trade barriers between different countries.
There are many artists I would like to have the honour to cooperate with. To accompany Barbara Streisand or Paul McCartney or Elton John would be a dream for me as I have a lot of admiration for their voice, their talent and their charisma.
There are many stories of people didn't set out to make a film that became a classic - the whole process was a disaster, everybody hated each other, the movie itself was a disaster, everybody thought the movie and the script was going to be a piece of crap. Look at Alfred Hitchcock and Psycho. Nobody wanted to make Psycho; it was crap to them. The only person that wanted to make Psycho was Hitchcock. Now, it's considered a classic and a work of art.
Wealth comes from the production and exchange of goods and services. If someone efficiently produces a good that many people willingly trade their money for, he becomes wealthy.
Michael made his debut in John Carpenter's 1978 horror classic, Halloween, possibly the best scare movie to come along in the last twenty-five years. With the release of the sixth (and hopefully final) movie to bear the Halloween moniker, we see how far the mighty have fallen. In the final analysis, The Curse of Michael Myers is a horrific motion picture just not in the way the film makers intended.
Animation should be an art…what you fellows have done with it, making it into a trade…not an art, but a trade…bad luck.
They say now in America that final cut doesn't mean anything. As Harvey Weinstein said to some film-maker, 'You can have final cut. I'll open your film in Arkansas.'
I did that film just so I could kiss Robert Redford.
Threats of trade protectionism, plus unilateral actions on the exchange-rate front, such as the heavy interventions of China, Japan, and Switzerland in the currency markets - not to mention the retaliatory tariffs recently passed by the U.S. House of Representatives - endanger growth prospects and could further depress financial market confidence.
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