A Quote by Molly Ivins
There is never anyone quite so wonderful as the people who were seniors when you were a freshman.
Related Quotes
They were a wonderful set of burglars, the people who were running San Francisco when I first came to town in 1923, wonderful because, if they were stealing, they were doing it with class and style.
If I were a teacher, I would like to teach freshman English - so I could be the Robin Williams type in Dead Poets Society. I wanna be that guy. I couldn't teach seniors because they'd be smarter than me.
I was quite a shy kid, but I was quite funny at school, and I was really into art. In our class, there were two of us who were good at drawing, and my teacher was like, 'He's going to make a wonderful artist one day, and Noel can make everyone laugh.'
[Some of the people I'd met] were wonderful people as human beings, and some people were more difficult. I could not see a correlation between their particular genius in playing chess and music and mathematics, etc. ... with human qualities. Some were really good, wonderful people, and some were difficult characters, but there was no clear correlation. But when I met some spiritual masters, [I thought that] there had to be a correlation, and it turned out to be true.
When we were doing noisier shows, they were fun, but we were trying to be really obnoxious and it wasn't like we were trying to make good music. I mean, I'm happier when we have smoothed out a little bit. I think that the spirit of the noise and experimental stuff is still there, but it's easier to do when you're a freshman in college.
When I was a freshman in college I went to Grinnell College in Iowa. I brought my poems to my freshman humanities teacher whose name was Carol Parsinan, a wonderful teacher. And Carol did a really great thing for me. She taught me more than anyone.
The docks were said to be quite tough, but there were pubs you didn't go into if you were a respectable... but um, I never felt a sense of danger in Liverpool.
Similarly, the press never tested many of the assumptions about WMDs. One of the great myths about the WMD issue is that everybody believed Iraq had them. Well, that's not true. There were a number of people in the intelligence community and the State Department who were skeptical, and many analysts in the Department of Energy were dubious about Iraq's nuclear capability. There were also people like Scott Ritter who were saying quite accurately what was going on.
At the time, sword and sorcery stories were quite popular. There were female warriors waving swords around as well, but the genre is populated entirely with people who have absolutely no responsibility to anyone, so I knew my story would have to be completely different from any of these.
There's a long history of people who spent that $300,000 on their first film and weren't quite ready, and then they never did it again 'cause they were out of synch with where they were, and they would never raise that money again.
Literally, when the pilot came out for 'Glee,' I think we had a watching party or something. We were all seniors, and everyone all of a sudden in the show choir were so excited. We were like, 'This show is awesome. It's so cool. This is exactly us.'
My schools were quite diverse - those who serve their country come from every race and religion - and so the military schools I attended were a wonderful melting pot.
I had a really wonderful upbringing. We were a tight family. It was wonderful to grow up with so many siblings. We were all just a year or two apart, and we were always so supportive of each other. I learned everything from my older brother and sister and taught it to my younger sisters.
I was a lonely child. My brother Tony and I were never very close, neither as children nor as adults, but I was tightly bound to him. We were forced to be together because we were really quite alone. We were in the middle of the Irish countryside, in County Galway, in the West of Ireland, and we didn't see many other kids.
Wasn't that a wonderful thing that I had a chance to work with more great actors, big stars, than just about anyone in the history of Hollywood? And some days I didn't know with whom I'd be standing face-to-face, and I was so impressed because they were all really wonderful people. And when you work with Burgess Meredith, Frank Gorshin, George Sanders as Mr. Freeze, it's a wonderful experience.
Most people respond to my paintings quite generously, but there have been cases where I think people - a few critics in particular - were actually moved by the work but were disturbed by the feelings it evoked, so they attacked it. Some people find the realm of my work quite uncomfortable.
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