A Quote by Molly Parker

I think a lot of actors are overly concerned about being well liked in the parts they play. — © Molly Parker
I think a lot of actors are overly concerned about being well liked in the parts they play.
People like to think that actors are terribly worried about ghosts of other actors in the parts they play. But you just have to get on with it.
All parents are concerned about their children's well-being. As a parent of three kids, I'm very concerned about their well-being.
I think a lot of actors feel like outsiders or miscreants. This profession provides an opportunity to play out all the different parts of ourselves.
I think that some of the writing, directing, and the content is better than a lot of movies sometimes. Actors, well artists in general - actors, writers, directors - what we all care about the most is good work and being able to create something that is really resonant and meaningful.
I've always made a point of playing parts where weight has nothing to do with it, and not just weight but looks. It's about being funny and being interesting, and I think there are a lot more interesting things to play than being overweight.
I think mental illness is a slippery slope to talk about these days because people are overly diagnosed, overly prescribed, overly everything.
Hollywood is more concerned about its male actors being in shape than its female actors.
I hear about actors being exterior actors and actors being instinctual actors and I always think it's crap. Anybody who knows anything about it knows that good actors do both - they do inside-outward and they do outside-inward. You can't not do both.
I'm not really concerned about being liked on stage - I'm a bit more concerned about it off stage.
It's funny, because it's always been a dream of mine to play in the NFL, but I was concerned about the games being played on Sundays. I love to play football but wanted to be able to attend Mass as well.
I think a lot of quote-unquote 'comedic actors' really go for the laugh and are overly straining and sort of trying.
If I'm improvising and I'm not doing well it's because I'm not listening very well. Either I'm overly concerned with something or I'm drifting or maybe I'm too stoned but I'm not getting a clear signal.
As I've gotten older, the parts have diminished. I liked it when I was younger, I could always play the lead in the movie and I could do all the romantic scenes with the women, and it was fun and I liked to play that. Now, I'm older and I'm reduced to playing the backstage doorman or the uncle or something. I don't really love that so occasionally, when a part comes up, I'll play it.
So I think we shouldn't be overly concerned about the decline in personal saving at this particular moment and time, but it's something we certainly need to keep an eye on.
I think a lot of writing, or a lot of young writers, especially, hold themselves back unnecessarily because they're so upset about the idea that they might be sentimental or so concerned about being criticized that way or even being that way that they just shy away from any strong expression or emotion.
It seems that other parts of the world ought to be concerned about what we think of them instead of what they think of us. After all, we're feeding most of them, and whenever they start rejecting 25 cents of each dollar of foreign aid money that we send to them, then I'll be concerned about their attitude toward us.
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