A Quote by Molly Parker
I think it's damaging to know too much about a person, about an actor.
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I don't want to know about the lives of other actors and I don't want people to know too much about me. If we don't know about the private lives of other actors, that leaves us as clean slates when it comes to playing characters. That's the point, they can create these other characters and I can believe them. I think if you're a good enough actor, that's the way to longevity in the film business. Keep everybody guessing.
I've always felt that I would rather see an actor, writer, or musician's work, rather than actually know the person. If you know too much about an artist, it somehow lessens their ability to do their work as well.
I think too much is known about me already. I think biographical information can get in the way of the reading experience. The interchange between the reader and the work. For example, I know far too much about Norman Mailer and Kurt Vonnegut. Because I know as much as I do about their personal lives, I can't read their work without this interjecting itself. So if I had it to do over, I'd probably go the way of J.D. Salinger or Thomas Pynchon. And just stay out of it altogether and let all the focus be on the work itself and not on me.
I think now we just know way too much about our celebrities. It's not that interesting when you know that much about people.
If people know too much about you, I think you become a little less interesting as an actor - your job is to fool people.
Let’s not talk about how I am. It’s a subject I know too much about to want to think about anymore.
I try not to think too much about what the audience is thinking and what they think I should do. I'd be self-conscious if I did. Anyone becomes mannered if you think too much about what other people think.
If my son was an actor I would tell him, "Don't let people know as much about you as I let people know about me." Because I think professionally, it's an easier road. That would be something I would tell a young actor. But it's cool.
I don't really think about anything too much. I live in the present. I move on. I don't think about what happened yesterday. If I think too much, it kind of freaks me out.
You know, I think everybody I've seen has come from some other therapy, and almost invariably it's very much the same thing: the therapist is too disinterested, a little too aloof, a little too inactive. They're not really interested in the person, he doesn't relate to the person. All these things I've written so much about. That's why I've made such a practice really, over and over to hammer home the point of self-revelation and being more of yourself and showing yourself. Every book I write I want to get that in there.
I don't think I had any idea at the time how to work with someone as masterful as he is. And I don't think at the time I really understood what was happening. I think I was in a space where I was like: there are all these things. I was shooting all these takes with David, and I was just confused, as a person, and as an actor feeling a little too big for my britches and that this thing was happening and then also not having enough skill yet, and technique to know exactly where I was, and know about the character.
It's one thing to be dumb or ignorant or be in over your head. But if you can be the person who knows how much he does not know and be curious about the things you do not know, then that automatically lends itself to being a big-hearted, welcoming person who wants to know about every single person you meet.
For me, I try not to think about it too much, because you find that if you think about it too much, then you start to panic at every little thing that goes on in training.
I think some people just don't know that much about comedy. It would be like a person who didn't know anything about football thinking all offensive linemen are the same.
I live on the margin of just about everything. I'm a marginal person, and I think that is where I've become comfortable. I'm marginally there in my native life. I can do as much as I can, but I'm always German, too, you know, and I'm always a mother. That's my first identity, but I'm always a writer, too.
We know about man's impact on the ocean in terms of fishing and overfishing, but we don't really know much about what's happening underneath the water. And in fact, shipping has a role to play here, because shipping noise has contributed to damaging the acoustic habitats of ocean creatures.
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