A Quote by Molly Quinn

I don't like people that try to psyche other people out. — © Molly Quinn
I don't like people that try to psyche other people out.
The Trump people make it extremely hard to figure out what's going on with their businesses, so we've done things like try to figure out all the people, the charities who rented out ballrooms and hotel rooms, all the NBA teams that stay at his hotels, people that pay him a lot of money and have other choices.
My writing has to excite people and depict or include their experiences. That's part of my process - to go out and interact with people. It's very much like an archival process. I understand that the Brothers Grimm would go out and get people talking so they could document folk tales that weren't being documented any other way. I try to offer a little bit of myself - some experience from my life that evokes stories in other people.
I suppose I tend to like slightly darker things - people have levelled that on me before and I accept that because in my opinion, if I mention the best movies or the best books, there's always something that's involving slightly darker element of out psyche. I like seeing people under pressure. I like seeing what happens to people when they're under pressure.
I do kind of aspire to do comedy that appeals to a wide range of audiences and doesn't divide people. I never want to do material that makes people laugh at the expense of making other people feel bad - not to say I'm not guilty of that at times. ... I try and make humor out of the really important issues of the day, like Hot Pockets and elevators and not wanting to get out of bed.
I feel like you are allowed in fiction to embrace imagination and try to enter other worlds. And I feel like you should push yourself to try to persuade your reader that you have the authority to engage with people who, you know, lived in the past, who live in the future, other genders, other places, other cultures.
You know when you throw a party, you think people will show up and no one will like each other. It's like that with music - parts of your musical psyche have never met other parts. You wonder if you should get them together.
I try to be patient. I feel like the point of art is to go down within yourself and to pop up into other people. If you're lucky, all of a sudden you're like, "whoop!" You're in other people.
I try to speak plainly and be sympathetic to the idea of religions where people gather in community. They get a sense of people looking out for each other. My claim is that we have a tendency to look out for each other whether or not there is a religion involved.
I try not to worry about other people's music. But if there's one thing that I hear these days, it's that people try and put [music] down so tight that they take all the color out of it.
And what I'm telling you now is not for you to go out and try the same ways I try, or not to even try my technique. Just put it to your personality, put it to yourself, and you develop your workout. Cause those books and things, those are other people's gimmicks and hypes. Build your own gimmick and hype, and that'll make you a better powerlifter. Not just doin' it like James does it, cause if you try to fly off the building like superman you'll be out there in the middle of the street.
People aren't buying records like they used to, so it's nice to try to figure out a way to make them do it. I would enjoy the same thing to own an old movie house, to try to trick people to come in - like having 3-D or Smell-o-Vision or Vibra-Vision or something. Mcguffins to get people interested.
I don't see what's so triffic about creating people as people and then gettin' upset cos' they act like people", said Adam severely. "Anyway, if you stopped tellin' people it's all sorted out after they're dead, they might try sorting it all out while they're alive.
I'm trying to change the way people approach knowledge and information in general. I think that to try to own knowledge, to try to control whether people are allowed to use it, or to try to stop other people from sharing it, is sabotage.
I live my life and play my music, and I don't really seek out other people's approval or accolades or things like that. I try to do what's true to me, and how it all comes out is fine.
I never had a father, really. My great-grandmother raised me. But I was in this country where I got help from people that were not of my same color. So when I come out of the box, I don't come out of the box as racial. I look for good people, and people that will be like-minded and help me try to do good for other human beings.
It's starts out young- you try not be different just to survive- you try to be just like everyone else- anonymity becomes reflexive- and then one day you wake up and you've become all those other people- the others- the something you aren't. And you wonder if you can ever be what it is you really are. Or you wonder if it's too late to find out.
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