A Quote by Molly Quinn
One thing about me is that I don't like being told I can't do something.
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In high school I was worried about singing in a choir not being a cool thing, like "I want girls to like me so I don't want to do something that's not cool." But, in fact, if you do something you like to do and you're good at it, you're going to find someone who will like you for that reason.
I did something that I told people around me never to do, which was, pay a psychiatrist. Why pay a psychiatrist when you can just come to me? I can help you with something going on in your life; even if I know nothing about you, I can possibly help you. That's just me being cocky like I am.
There's something strange about comedy requests. I guess if you enjoy something, why not hear it again? But there's something weird about it being live, when the person is there, and asking them, "Hey, do this thing like you did it, but make it seem like you're making it up on the spot.".
I've had a mental illness for nearly half my life, and I can no longer imagine myself without it. It seems less like something that happened to me than like part of who I am; some days, it is the thing about me, but it is always at least a thing about me.
I like to talk about very different topics. I like to jump around a lot because I don't want people to come see me and then for an hour I tell jokes about being a little person. I just don't want that to happen. I understand that it's part of me, that's the first thing that you notice and it's something that people are curious about.
If it's something I feel I can do alright, I like being in those, and some that I think Rob Schneider and David Spade would be funnier at than me, I tell them to do it. I don't have any clue how we decide. There's this thing, this "Click", actually, one of my friends called me up, my partner told me about this idea that Steve Koren had. Steve Koren, by the way, the guy who wrote it with Mark O'Keefe, Steve Koren I've known since I was 22. He was a page at Saturday Night Live.
Here's the weird thing about me. I was never one to tell you stories about me. I was always the guy who others told stories about. I was like that up until I was 35 years old. And then I started telling stories about me onstage.
I think there's something really painful about your identity being entirely composed of ghosts. For me, I didn't want to be this kid whose Dominicanness was something caught utterly in the past, is an abstraction, the thing that I write about. Instead I wanted it to be, first and foremost, a thing that I lived.
My ideals told me that men and women could both go out to work and be truly equal. My children told me something more complicated, something I really didn't want to hear. Their need for me was like the need for water or light: it had a devastating simplicity to it.
When I was about 12, I came home from middle school and told my parents I wanted to be an actor. My father didn't say it to me, but he told my mom, 'No. I'm not going to allow that. He'll starve to death.' I grew up in a small town in Illinois where being an actor was not something people did.
It's about me doing me, about me being organic. I can't wear things and put on a front and say I like something when I don't. I won't wear something I wouldn't normally wear just for people to like it or for people to look at me like this or that in fashion.
In the U.K. - correct me if I'm wrong - there is a legal definition of 'not being in possession of yourself' aka 'not being a person.' That's the fun thing: someone such as a lawyer needs to define, using some empirical signal, something supposedly transcendental like 'person,' something lawyers argue and argue about regarding, say, chimps in zoos.
I used to think there was something dirty about being paid for something which is a sacred thing to do. I can't disconnect the act of writing music from the act of prayer. If anyone tries to stop me working, it feels like someone is trying to stop me from taking communion.
There was something about the music on that tape. It felt different. Like, it set her lungs and her stomach on edge. There was something exciting about it, and something nervous. It made Eleanor feel like everything, like the world, wasn't what she'd thought it was. And that was a good thing. That was the greatest thing.
It's something that I am going over in my head about the whole video game thing, and whether you support violence by being in a film like this. I mean, to me, it's incredibly unreal and it's all about the action, and just explosions.
I worry that if I enjoy something - like the songs on 'Some Nights' are about wondering about who you are. I'm never quite sure and I'd hate to feel sort of content and get a good sense of who I am because if I know one thing, that's not me. I don't mind not necessarily being happy about it. And that's fine.
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