A Quote by Molly Ringwald

When I was turning 40, I felt that there were no books out there that hit the spot in terms of what I wanted to read. — © Molly Ringwald
When I was turning 40, I felt that there were no books out there that hit the spot in terms of what I wanted to read.
I read some books that were the right books for me. I read them and I didn't even notice turning the pages anymore. I thought, "That's what I want to do with my life."
I personally, as a teenager, didn't like books I felt were trying to preach to me... I did not believe in happy endings. I wanted to read books which reflected life as I thought I knew it.
The bookstore was a parking lot for used graveyards. Thousands of graveyards were parked in rows like cars. Most of the books were out of print, and no one wanted to read them any more and the people who had read the books had died or forgotten about them, but through the organic process of music the books had become virgins again.
Walt had a seat-of-the-pants approach on what he wanted musically. We kind of 'read' the boss and had a very high batting average, but there were occasions when he felt we had just written the wrong piece for the situation he wanted. We invariably listened to what he wanted - he was very descriptive in what he wanted and we could read him. We'd go back to the drawing board and work out what he wanted. He was a great inspiration, but a tough taskmaster.
When we first started we felt something changing in terms of work, and we felt it was a global shift. People were taking control of their future, not just in terms of making money. They wanted to control their own destiny.
Books, books, books. It was not that I read so much. I read and re-read the same ones. But all of them were necessary to me. Their presence, their smell, the letters of their titles, and the texture of their leather bindings.
My parents were teachers and they went out of their way to see to it that I had books. We grew up in a home that was full of books. And so I learned to read. I loved to read.
We had absolutely no experience in writing kids books and its a very competitive market. But we buy and read a lot of children's books and we felt that our books had that extra something we were always looking for.
We live and breathe words. .... It was books that made me feel that perhaps I was not completely alone. They could be honest with me, and I with them. Reading your words, what you wrote, how you were lonely sometimes and afraid, but always brave; the way you saw the world, its colors and textures and sounds, I felt-I felt the way you thought, hoped, felt, dreamt. I felt I was dreaming and thinking and feeling with you. I dreamed what you dreamed, wanted what you wanted-and then I realized that truly I just wanted you
Read. You don't have to read me. But just read. Read the best people. Everybody's trying to do the same thing, which is keep you turning pages. Everyone does it a different way. But we all want you to understand [our books].
I grew up as an avid reader. I would go to the library and check out 40 books a week. Some of them were smarty books; most of them were 'Sweet Valley High' and young teen romance.
For me, books were my source of affirmation. Alice Walker, Audrey Lord - it was these authors who wrote about their experiences. It was this weird thing where I was censored in terms of what I could watch but not in terms of what I could read.
The first Amy Silver book was commissioned, and they were not books that came completely from me. They weren't necessarily the sort of books I read, and although I enjoyed doing them very much, and they were great training, I never felt completely comfortable in that genre.
I read a ton of scripts. I read a lot of scripts, and you read one, and first of all, you felt like you read it in 14 minutes, because you're turning the pages so fast you can't wait to see what's going to happen.
By the time I got to college I had stopped reading books because I wanted to "be cool" and started reading books simply because I wanted to read them. I discovered heroes like Roth, King, Dahl, Shirley Jackson, Patricia Highsmith, TC Boyle, Douglas Adams, Neil Gaiman, David Sedaris. These people weren't trying to "rebel against the literary establishment." They were trying to write great, high-quality books that were as entertaining and moving as possible.
I've always had a soft spot for comic books. I learned to read from them. The words in them were so interesting.
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