A Quote by Molly Shannon
In real life, I always look at people and how they walk, or how they carry themselves. I think about the body a lot, in performance.
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I have always loved Reese Witherspoon and Amy Adams as role models - I read all their interviews and agree with the fundamentals of how they manage the limelight and also how they look and carry themselves. A huge part of beauty is how you carry yourself and how you deal with certain situations.
Women of all looks, shapes, sizes, everything, if they recognize how beautiful they are-because they all are-then they carry it that way. And you can see that. Confidence is reflected in how they walk and how they dress and how they speak and how they carry themselves. It's just amazing. And that can turn anybody's head pretty quick, especially mine.
I realize I have a lot of amazing opportunities, but I don't know how you can play a human being going through real human experiences without being able to walk down the street. If you can't live a real life, how do you play a real person? It always confuses me when actors work back-to-back-to-back with no break. If you live your life on a film set, how the hell can you relate to real people? You don't know what its like to not have people fussing over you all day, and that's not life - that's silly movies. I will always want to take breaks and I wouldn't be OK with losing that.
I often suggest that my students ask themselves the simple question: Do I know how to live? Do I know how to eat? How much to sleep? How to take care of my body? How to relate to other people? ... Life is the real teacher, and the curriculum is all set up. The question is: are there any students?
I really love Penelope Cruz, because she has the tan skin. I think it's important to look at people who resemble you and see what looks good on them, and how they are doing their makeup or hair and how they carry themselves.
You apply Pilates in everyday life, like how you sit, how you walk. You've heard a lot of people complain about back problems; it is because these people walk incorrectly with the last vertebra of their tailbone. They stick it out instead of pulling it in and down.
I care about being formally physically attractive in my life, and I think that I am quite vain about my performance. I'm just not vain about how I look while I give the performance.
When a lot of people think about how to be business-savvy as an artist, they think about how to brand themselves. At the end of the day, that stuff doesn't really help you. People know when you're being fake.
Frankly, I get much more sensitive about what's written about me than how I look in a photo. I'm so used to people seeing my image in plays and films that what they think about how I look is none of my business. If they says, "Hey, he doesn't look good," I'm like, Whatever, because I know I look different from day to day. But if you're up there putting your heart into something and people reject your performance, that's very painful. The written word can kick your ass.
I think that we could be more careful about what we're saying to young women in terms of their expectations. It's unrealistic to expect people to always be in designer clothes. Girls growing up deserve more freedom in how they look and how they feel about how they look.
As you get a lot of exposure, a lot of people looking at you, you have to take it more so how you carry yourself, how people view you. You have to worry about your image.
Thirty was a big deal for me. It was the age where I reevaluated everything - how I approached life and how I thought about myself. When I look at my 20s, or when I look at any period in my life, I think about how much time I've wasted trying to find the right man.
I would ask my mother to show me how to walk - and she did show me. That's why I think it's funny when people say, 'Did so-and-so teach you how to walk?' And I always say, 'You must be talking about my mother, because it was my mother who taught me how to walk.'
I spent hours on the internet looking at how glamorous actresses winked and how they would put their hand on their waist, and I was told to look at how they would walk in a room and how her body takes place of everything.
I think how you dress says a lot about how you carry yourself.
I just think it's really funny and entertaining. I mean, I don't necessarily take them really seriously - I don't even think a lot of really good films get seen. But I don't think that's what it's about. I mean, how amazing was Ellen Burstyn in Requiem For A Dream ? Especially as she was acting with herself most of the time. I don't understand how a performance like that can't win. I was so affected by that movie that I had to turn it off. I felt as if I was on drugs and my heart was about to leap out of my body.
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