A Quote by Molly Shannon

I've definitely read stuff that I've been offered where I've been like, 'I can't do this. I think somebody would be better in this than me.' I don't want to do something if I don't feel like I can do a good job serving the material.
I've definitely read stuff that I've been offered, where I've been like, "I can't do this. I think somebody would be better in this than me."
I don't want to do something, if I don't feel like I can do a good job serving the material.
I feel like I've been very lucky with the directors. The characters I've been offered, especially lately, have given me the opportunity to play all of these different women. I always wanted that, and it's something that you cannot do by yourself. If you want to play a diversity of characters, somebody else has to have the imagination to give you a role completely out of the box. We depend on somebody else's trust, and these directors are giving me their trust, and I am grateful for that.
I always bring at least 15 to 20 percent of Tiffany to every character that I do. Like when I read 'Girls Trip,' I was like, 'Who been partying with me? Somebody been hanging out with me and done stole some stuff.'
I've been offered lots of movies. There's always some actor who's doing a project and would like to have me do it. But you look at the project and think, 'Gee, there are a lot of good directors who could do that.' I'd like to do something only I can do.
I always want to read the script and know everything and at least understand the context of the world that you're in and why you're there and all that stuff. It's good to know something. I like to know, but I've never been one of these, 'Just show me my stuff,' no, I like to know what the whole picture is so I can understand how I fit into it.
I definitely learned to communicate with other musicians better. I used to feel so intimidated by guys who can read notes, like, "Oh my god, they're gonna think I'm not even gonna be able to sit at the table." But I've come to see that a lot of these musicians don't know how to read music either, and that made me feel good. I could just come up with ideas or show somebody things and get the ideas across.
Undisputed ends when I return to the WWE in 2007. There is already 3 ½ years of material including the 3 best years of my career. Undisputed is going to do even better than A Lion's Tale, there is no reason to not do #3. The material I have for #3 is just as good as the first 2. I still have a few years to go before I write but I would definitely like to write another one. But it is not about the numbers, it is about the quality. If I don't think it would be as good, I won't do it
There's a lot of pressure that comes from the mainstream stuff, and already people who have been saying - people who don't know any better - have been saying things to me like, 'You should really think about neosoul. You'd definitely be more successful in that.' But that's not my expression.
I definitely learned to communicate with other musicians better. I used to feel so intimidated by guys who can read notes, like, 'Oh my God, they're gonna think I'm not even gonna be able to sit at the table.' But I've come to see that a lot of these musicians don't know how to read music either, and that made me feel good.
I have been a fan of movies from a very young age, and somehow, the magic of that - every single time I hear something or read something that could be made into a wonderful film or something somebody is asking me to be a part of - that connects. It just makes me feel like I'm going to be part of something magical again.
Young women are now looking at me for cues. That's definitely been a responsibility. But I feel like I was ready to take on something like this because I wanted to be challenged and I wanted to be afraid, and that's definitely what it's done for me.
You need to have a reader's sympathy in order to accomplish anything. It's like at a reading, I find it's better to read something funny than to read something tragic. It just goes over better because you have a finite amount of time with somebody. Of course, in a book, you have a lot of time. But you still do want to make a certain impression right when you begin.
There's a happiness about me, a confidence and a happiness that I didn't have when I was younger. You feel good inside, you look good outside. I feel like I look like somebody who's having a good life, who's enjoying it a little better than I did before. You can be really good-looking in your twenties but feel miserable, and people just sort of walk away.
I don't think I would have been a good architect. Really, I have thought about this from time to time, and I might have wound up like my father, who never did find that which he could devote his life to. He sort of drifted from job to job. He was a traveling salesman, he was a bookkeeper, he was an office manager, he was here, there, there. And however enthusiastic he was at the beginning, his job would bore him. If I hadn't had the writing, I think I might have replicated what he was doing, which would not have been good.
When I was young, I didn't like to read. I would have much rather been outside doing something than been inside reading about it.
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