A Quote by Momina Mustehsan

My song 'Afreen Afreen' which I performed with Rahat Fateh Ali Khan was the most international heard track and it received over 93 million views. So, with every new season Coke Studio is doing a great job.
I do disagree with the way videos of my songs have been made. 'Afreen Afreen' is a very powerful song; it did not require such a video. The emphasis should be on the song. Again, I have told my recording company, and in the future, they will screen the video only after my approval.
It is really disturbing to see that every Tom, Dick and Harry starts singing compositions of Nusrat Fateh Ali Khan and Farrukh Fateh Ali Khan as there is no one to claim it.
I belong to this family: Nusrat Fateh Ali Khan's family. Since my childhood I have always wanted to sing and learn music. Whenever I saw Nusrat Fateh Ali Khan play, I felt inspired to be like him.
Dad had four world records, and they happened to be Nusrat Fateh Ali Khan and Ali Farka Toure. I tried singing like these people, and it didn't work.
I love sufi music and that's the reason why I'm such a big fan of Nusrat Fateh Ali Khan.
When I came home my parents were listening to Pakistani Qawwali music, like Nusrat Fateh Ali Khan, they're listening to music from Mali, like Ali Farka Toure, they're listening to Brazilian songwriters, like Gilberto Gil, to opera, to Neil Young even, things you don't hear as a kid in Caracas. I love all the music they turned me onto.
Kishore Kumar is the voice of India, M.D. Rafi taught me to sing romantic numbers, while Nusrat Fateh Ali Khan's live recordings helped me prep for stage shows.
Many have paid tribute to Nusrat Fateh Ali Khan in the past and they will probably continue to do so in the future as well. However, this year marks 20 years since he passed away. This is a special moment for us and his fans.
Pakistan never valued Nusrat Fateh Ali Khan saab until English songwriter Peter Gabriel started collaborating with him. After that, the country suddenly realised that they have an amazing talent. This is the story of a lot of artistes there.
It varies from song to song, although Buck Owens and I recently collaborated on writing a duet together and am looking forward with a great deal of anticipation to recording that track for the new studio album.
The Saints are doing a good job adjusting. I think their focus is on trying to make the best of their season, but also to try and help the people of New Orleans in the process. From everything I've seen and heard they are doing a good job of it.
There are so many flavors of Coke now - Coke with lemon, Coke with vanilla, Coke with lime, Cherry Coke, and they've just brought out another new flavor - Coke with Pepsi.
The videos that I post every day are averaging 7 million views per day. And I post one of those a day. I spend an average of $200 a day to make that. The Disney show that I'm on, they spend $2 million over the course of five days to create one episode that gets 1.7 million views.
New York apartments are notoriously small, and my cute little studio is no exception - space is at a premium, which is one of the reasons that I only have a mini-fridge. Great for leftovers, cheese, and chilling Diet Coke.
It's very easy in the studio to get overzealous with your vocal takes, thinking, 'Oh yeah, I can do it over and over. I can sing at the top of my range for this whole song.' But when you're doing it every night on the road, it's pretty intense.
I learn stuff from making music every time I go in the studio. I'm continuing to try to find new ways to play in a song or be in a song and have a positive impact on a song.
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