A Quote by Momina Mustehsan

A song is essentially an 'asset' after its creation and release because it can be traded, sold or rented. This makes it the backbone of earnings in the 'music ecosystem.'
I think, sometimes, artists release music too fast. If you just sit back and listen to the track for a little bit you could pick and choose how you want to do it and see if you really feel the song, because sometimes you might not even like the song after a few listens.
I didn't want to release a song like 'Spice Girl' right after 'Caroline' because I didn't want another 'hit' kind of song.
The appreciation that we received after the release of the audio of 'Every Night and Day' is all because of Iulia Vantur. According to me as a composer of this song, she made this song sound very fresh.
I think the emotion that song carries makes it good. Because you have to produce around something - an emotional attachment and a feeling. The melody itself has a feeling in it. The keys, the tones, frequency, sonics, all of those have feelings in it. Like, it's the ghost within, the music itself. That's what makes the song even have a possibility of being great. The emotional connection. Because if you don't have that, I don't think you really have a song.
After the first time I got traded - I was in the bullpen warming up for a game in Double A, and I got called back in and got traded - that was probably the, like, most crazy it could be. And once I got traded, the next time it got a little easier, and I got traded the next time - it's just part of it.
[Music From the Edge of Heaven] wasn't really an album at all. The band had made the decision to release an LP and then split up. We wanted to go out with a bang in Britain and the rest of the world by having a single that was four songs, not just one song. But we couldn't do that over here because we couldn't release a single without an album.
No matter what Akalis say; they squandered money on 'sangat darshans' and finished off everything - land sold, building sold and earnings of undertakings like the Mandi Board mortgaged for seven years.
I've owned about 2,000 guitars through the years because I've traded a lot and given away and sold some stuff.
Being traded a couple times - and I've been traded after winning Rookie of the Year - is out of your control.
I think that commercials can really ruin a song. You know that the person sold the song for a good deal of money, and that was the tradeoff. But, music and picture can marry in a beautiful way, and the reverse also.
Music is the basis of the whole creation. In reality the whole of creation is music, and what we call music is simply a miniature of the original music, which is creation itself, expressed in tone and rhythm.
The old man sold beer after hours on weekends. And that was something that he probably did to top up his earnings as a truck driver. Mum was the traditional housewife. Loving, caring, sharing - always the keynotes of the family.
How we absorb music is unique. I know what I do. When I'm listening to music, I tend to find myself in a song. That's what really makes you connect is if you feel what that song is saying.
You don't have to be trained in music to create sounds and to produce and release music. That's what we were saying back in 73-74. And that's the way the world is now - and all the tools of creation, production and dissemination are there in everybody's bedrooms, front rooms and studios.
To me, the hook of the riff is what makes a great guitar recording. It's the backbone of the whole song. When you have a strong riff, it's the rocket fuel for the track.
You see that in his foreign policy [Barack] Obama lacks a backbone - both a constitutional backbone and a personal backbone.
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