A Quote by Momo Hirai
I will never forget when we performed at the Tokyo Dome. Growing up, I was told that only A-list famous musicians are invited to perform at that venue.
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The Tokyo Dome is a huge venue, so for us, its such a prestigious opportunity.
THERE WAS NEVER A SCHINDLER'S LIST. It was drawn up by a man called Goldman. This man took money to put a name on that list - no money, no place on the list. I was told this by a Dr Schwartz, in Vienna; he had paid in diamonds to save his wife
My mother was never very famous when I was growing up, so it wasn't so difficult. It was only when I left home and went to university that she become this style icon.
I remember, and I will never forget, one day - I was six years old and I was playing beside the road and this plantation owner drove up to me and stopped and asked me "could I pick some cotton." I told him I didn't know and he said, "Yes, you can. I will give you things that you want from the commissary store," and he named a huge list that he called off. I picked the 30 pounds of cotton that week, but I found out what actually happened was he was trapping me into beginning the work I was to keep doing and I never did get out of his debt again.
For instance, members of the elite will never allow their children to become musicians normally, because it's - not embarrassing - but it's not done. There's a very famous composer from the '70s from a well-known family that disowned him, and he's a man, so there's this historical precedence with their relationships with musicians - not so much music as it's this abstract thing - but externally with artists.
I've never been invited to do 'Stars on Ice' before, which is the only figure skating tour in the U.S., and it's disappointing that I can't perform for my American fans... all because I'm not 'family friendly' enough.
I've never even been invited to the GLAAD awards, to sit in the audience. I don't necessarily care, and I'm sure they will one day, and it will be fine, but I've never been invited to anything like that.
I have always loved jazz music and as a teen growing up in New York City and then later on as an adult have great memories of the jazz clubs that were all located on 52nd Street. I still catch as many jazz shows as I can when I am in New York. And when I perform, I have my jazz quartet by my side. Jazz musicians keep things spontaneous and very "live," which is the way I like to perform.
When I was growing up, there were a few musicians who would have regular gigs at restaurants, and I always thought it was so cool and unexpected how they would spontaneously perform. Being the ambitious kid that I was, I got into it and really studied it. I was so inspired by it.
I'm sure everyone knows now that only a few have performed in Madison Square Garden. That list is so small. Now I'm on that list. I'm a part of a very small group, which is unbelievable. You relish in that moment for a second.
I always work only with friends, but it must be about them and myself. Because I film only very personal moments, nothing preplanned, staged or written, it has to be real and spontaneous. Some of them have become famous, some are not yet famous, some will never be famous. But they are all my friends.
Men will work hard for money. They will work harder for other men. But men will work hardest of all when they are dedicated to a cause. Until willingness overflows obligation, men fight as conscripts rather than following the flag as patriots. Duty is never worthily performed until it is performed by one who would gladly do more if only he could.
It's really going to happen. I really won't ever go back to school. Not ever. I'll never be famous or leave anything worthwhile behind. I'll never go to college or have a job. I won't see my brother grow up. I won't travel, never earn money, never drive, never fall in love or leave home or get my own house. It's really, really true. A thought stabs up, growing from my toes and ripping through me, until it stifles everything else and becomes the only thing I'm thinking. It fills me up like a silent scream.
Growing up in Chicago, I was a theater nerd. That might be very cool on the East Coast, but in Chicago, it's really the athletes that come in No. 1 on the cool scale. Maybe musicians after that. Community theater? That's way down the list, my friend.
When my dad toured in '91, I think my first gig properly was the Tokyo Dome, 50,000 people indoors. That was pretty scary. I was 12, or 13.
I will never forget the moment when I was liberated by the American Army. I will never forget those very young boys coming up the hill, who had to take me a prisoner to liberate me.
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