A Quote by Moms Mabley
Advice to children crossing the street: damn the lights. Watch the cars. The lights ain't never killed nobody.
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In New York, lights are on the whole night; there are offices where not a single person is working, but all lights are on. The street lights at the White House are lit all the day. Why? And we are being told not to use coal.
Billboards, billboards, drink this, eat that, use all manner of things, everyone, the best, the cheapest, the purest and most satisfying of all their available counterparts. Red lights flicker on every horizon, airplanes beware; cars flash by, more lights. Workers repair the gas main. Signs, signs, lights, lights, streets, streets.
Once you have learned to fly your plane, it is far less fatiguing to fly than it is to drive a car. You don't have to watch every second for cats, dogs, children, lights, road signs, ladies with baby carriages and citizens who drive out in the middle of the block against the lights. . . . Nobody who has not been up in the sky on a glorious morning can possibly imagine the way a pilot feels in free heaven.
There was a sky somewhere above the tops of the buildings, with stars and a moon and all the things there are in a sky, but they were content to think of the distant street lights as planets and stars. If the lights prevented you from seeing the heavens, then preform a little magic and change reality to fit the need. The street lights were now planets and stars and moon.
There's a small balcony here, the door is open and I can see the lights of the cars on the Harbor Freeway south, they never stop, that roll of lights, on and on. All those people. What are they doing? What are they thinking? We're all going to die, all of us, what a circus! That alone should make us love each other but it doesn't.
The first lights of the evening were springing into pale existence. The Ferris wheel, pricked out now in lights, revolved leisurely through the dusk; a few empty cars of the roller coaster rattled overhead.
Political Economy, in truth, has never pretended to give advice to mankind with no lights but its own; though people who knew nothing but political economy (and therefore knew it ill) have taken upon themselves to advise, and could only do so by such lights as they had.
I am going to notice the lights of the earth, the sun and the moon and the stars, the lights of our candles as we march, the lights with which spring teases us, the light that is already present.
There are darknesses in life and there are lights, and you are one of the lights, the light of all lights.
I came from the country, and when I came to the city, I was ridin' high, you know. I was seeing more lights than I ever dreamed to shine in the world. 'Cos where I came from, there wasn't too many lights. Bugs made a lot of light, but after that there wasn't no lights.
There was my name up in lights. I said, 'God, somebody's made a mistake.' But there it was, in lights. And I sat there and said, 'Remember, you're not a star.' Yet there it was up in lights.
Just do something that lights you up, and lights up your customers, and lights up the world and scale to that.
If you look at landscape in historical terms, you realize that most of the time we have been on Earth as a species, what has fallen on our retina is landscape, not images of buildings and cars and street lights.
Old Lights include the resurgent fundamentalists in every religion who put a freeze on history and fortify their adherents against the "new dark age" in which they are forced to live. "Back to the Bible," Old Lights shout; "back to the Koran," Old Lights thunder. But not everything Old Lights say is wrong. Much is right. Even a stopped clock is right twice a day, the old adage reminds us.
In the week following Sandy, we weren't flooded, but we were without everything else - I ended up living by candlelight - no phones, no computers, no light, no power. If we took a walk at night to go and find something to eat, it was completely black, with no lights coming out of the windows, no street lights: a very apocalyptic feeling.
One of my first films was Zebrahead. I remember the producer asking me, "Can you handle the big lights?" And I thought, Do I want to be sarcastic, or do I want the job? So I said, "I don't handle the big lights, I just tell big men where to put the big lights and they do it."
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