A Quote by Mona Hatoum

Art can't be compared with journalism; it can't deal with concrete issues. — © Mona Hatoum
Art can't be compared with journalism; it can't deal with concrete issues.
I like keeping my work so open that it can be interpreted on different levels. Art can't be compared with journalism; it can't discuss concrete issues.
It is a mistake to suppose, with some philosophers of aesthetics, that art and poetry aim to deal with the general and the abstract. This misconception has been foisted upon us by mediaeval logic. Art and poetry deal with the concrete of nature, not with separate 'particulars,' for such rows do not exist.
We have to deal with issues like inequality, we have deal with issues of economic dislocation, we have to deal with peoples fears that their children won't do as well as they have. The more aggressively and effectively we deal with those issues, the less those fears may channel themselves into counter-productive approaches that pit people against each other.
Art is not fashionable. That's why fashion and art are two different things. Fashion can never be art because fashion deals with whim, what is temporary, what changes, what is transient, what is now and not now. Art has to deal with issues that are timeless, that never change.
Concrete, Steel & Paint portrays the core values of restorative justice-respect, responsibility and relationships-expressed through art. it is art that involves victims, offenders and communities in a dialogue that is sometimes difficult and painful, sometimes reconciling, but always engaging. As one prisoner says in the film, 'We have come together collectively through art.' It will be a great discussion tool for college classes, community groups and others interested in issues of justice, community-building, conflict resolution and socially-engaged art.
All of journalism is a shrinking art. So much of it is hype. The O.J. Simpson story is a landmark in the decline of journalism.
Exaggeration of every kind is as essential to journalism as it is to dramatic art, for the object of journalism is to make events go as far as possible.
I believe what Martin Luther King Jr. believed. You remember what the title of the March on Washington was? "Jobs and Freedom." What King understood is that you have to deal with the economic issues as well as the political issues and the civil rights issues.
I am for the art of underwear and the art of taxicabs. I am for the art of ice cream cones dropped on concrete.
When we don't deal honestly with our lives and the losses we face, when we try to anesthetize the pain and move on, then the suppressed anger or fear or guilt will deal with us until we are ready to deal with those issues.
Art always opts for the individual, the concrete; art is not Platonic.
I wanted my art to deal with very formal concerns and to deal with very material concerns, and to deal with antecedents and art history, which for me go very far beyond just the influence of African-American artists.
Anyone who does investigative journalism is not in it for the money. Investigative journalism by nature is the most work intensive kind of journalism you can take on. That's why you see less and less investigative journalism at newspapers and magazines. No matter what you're paid for it, you put in so many man-hours it's one of the least lucrative aspects of journalism you can take on.
Cutting one side of your head for a few months is not a big deal compared with what other people have to deal with in the world. Plus, hair grows back.
It is clear to me that Democrats want to attack me rather than debate Sen. McCain on important economic issues facing the country. That kind of distraction hurts not only Sen. McCain's ability to present concrete programs to deal with the country's problems; it hurts the country.
We are all hungry and thirsty for concrete images. Abstract art will have been good for one thing: to restore its exact virginity to figurative art.
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