A Quote by Moneybagg Yo
I got a studio built in my house, so I was recording there in Memphis and Atlanta. Those two environments give me that street feel.
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Jordan Ruddes does [have a home studio], but it's all self-contained. I'll be the only guy with a fully built recording studio. So they'll have to come to me.
The Hadley Street Dream is a tribute to making a vision come to life. My father built a compound on a dessert city block, he saw something in that space we couldn't see. It was years later the album was born right there on Hadley St. He built the studio I started recording the album at.
For me, Memphis has always been a city that holds a great deal of meaning and also leads me to a lot of thinking. Besides Sun Studio, which helped put rock n' roll on the map all over the world, the legendary Stax Studio also called Memphis home.
I lived in a pretty big house, and we had a guesthouse, so when I was 14, I built a studio in my bedroom, which was pretty big. It was two rooms connected, so I turned the second into a studio and ran the mic in my closet.
One of the greatest live recordings, I think, in the history of the world is Ray Charles in Atlanta... And they didn't even have a big mobile recording thing set up. The word on the street was they only had like two microphones, one for the band and one for him. Perfect recordings. I think it's mono.
There were two recording studios in Bellingham. One was really expensive, a "nice studio." We were at the point where we were young and irreverent. We would scoff at the idea of a nice studio. "Why would you want to go to a nice studio? Oh wow, they have really expensive gear. Ooh, that's really fancy. Well we've got an eight-track. We've got it going on here." Now that we have the resources, we're like, "Oh wow, a nice studio is pretty nice! They do have nice outboards here. It's actually a pretty good place." It's funny how much changes so quickly.
I've built an 8-track studio in my house that's virtually identical to what they used at Abbey Road, and I also own the 16-track set-up that Led Zeppelin used to record 'Houses of the Holy.' I'm interested in producing, but I'm mostly recording my own stuff.
I am a black male who grew up in the inner city of Atlanta and no one ever followed me in a mall. I don't recall any doors clicking when I crossed the street. And I never had anyone clutching their handbag when I got on an elevator. I guess having two awesome parents who taught me to be a respectful young man paid dividends.
My recording career has luckily run the gamut of recording environments.
I get advice from all the producers who have come out of Memphis. They just give me advice on the business side, because that's most important besides the actual music. Just staying at a point I know I can't mess myself up. I just got to be put up on game about it. Drumma Boy and Memphis Track Boy taught me a lot.
When I got to filmmaking, the most democratic of environments where anybody could say anything, those were the best environments, but what you don't want to assume is that you know what the audience is thinking.
TREE HOUSE A tree house, a free house, A secret you and me house, A high up in the leafy branches Cozy as can be house. A street house, a neat house, Be sure to wipe your feet house Is not my kind of house at all- Let's go live in a tree house.
Common would come to my house and give me a freestyle verse. I'd make a new beat for it and put it with something else. That's how I met Eminem - he came to my house back when he first started. He gave me a bunch of freestyles, and that's how we built a relationship. Everyone came to my house.
I'm very fortunate to have worked at two unbelievable clubs, Manchester City and Barcelona, and I feel like I've really changed the way I look at football from being around and in those environments, so I feel really privileged.
We built 'Jade Empire,' then we built 'Mass Effect,' then we built 'Dragon Age.' With those last two, when you're dealing with two big ideas that are on their third iterations, you develop some strategies for managing your lore, or you drown!
I've got two young sons who, when I ask them and their friends how they feel about gay marriage, kinda give me one of those looks like, 'Gosh, Mom, why are you even asking that question?'
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