A Quote by Monica Ali
I was always an outsider, always standing outside, observing and trying to figure things out. Which is exactly what you need to do as a writer, I suppose.
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Things don't always turn out exactly the way you want them to be and you feel disappointed. You are not always going to be the winner. That's when you have to stop and figure out why things happened the way they did and what you can do to change them.
Suppose something goes wrong? Suppose you need a big full-figure woman like me to help straighten things out?" Lula
People ask me, 'What happened in your life that might have pushed you as an artist to get to where you are today?' I always felt a little on the outside. And as such, you're always observing things. So, I'd be kind of re-creating these things in my mind, and I think drawing it was a way to deal with that.
I suppose when you are an outsider, you will always be an outsider.
I'm trying to figure out what I can do creatively. It's about trying to find new things and trying to figure out voices and borrowing from things and learning as much as possible so that I have an archive of things to borrow from.
I think it's true that, as is often observed, the writer is always an outsider. A writer is someone who is telling stories about what's going on, which is something you can't do if you're totally caught up in the moment.
I'm a very emotional writer. I always need to have a boyfriend. I always need to have some food. I always need to have a heater at my feet, and I drink this thing called Cool Brew, which I found in Louisiana. It's like condensed coffee.
I'm always exploring other people: trying to figure out myself, trying to figure out everyone.
If you're a kid who is always on the outside hoping to be on the inside, you're watching a lot. You're trying to figure out how to become a normal person in a society that considers you weird.
The role of my job is I'm always trying to figure out where I need to be. Do I need to be at a college game, at an international game, with the team, at practice, with my coaches, with a few of the players, up in Portland, Maine? I mean, where do I need to be?
I didn't think I was in a morbid mood, but it appears I am. My mind goes round and round trying to figure things out, but I always come back to the same two things: Loneliness and Death. Life ends before we figure anything out, most importantly how not to be lonely. Solitude is fine. But feeling like you have no one to love - abject lonliness - is not alright.
Luck is one thing. It has always been there, it has always been a part of my success. It's a part of everyone's success. Without it, you can't be successful. But luck is something you have to stimulate, something you have to nurture through the choices you make...That's why things have always worked out for me. Things work out not just because I'm lucky, but because I plan ahead. I figure out what I want and I go for it. I've always spent a lot of time trying to surround myself with the right people, the kinds of teammates who could lead me to my goals.
I've always been the outsider. I've always been regarded as some extraordinarily dangerous figure. I'm none of those things! I'm just a middle-class boy from Kent who likes cricket and who happened to have a strong view about a supernational government from Brussels.
There's a misunderstanding that I've always tried to address straight on when this question comes up, which is that a 'Half-Life' story can somehow exist outside of a game. It can't. The story is created through the process of trying to figure out how to best use the features of the engine within the interesting set of constraints it poses.
My past makes me an insider, but my profession makes me an outsider. A writer always stands outside to report on reality.
We're always observing, and we're cautious people. We really want attention, but at the same time, we're ashamed of wanting attention. All those bizarre qualities of being outside are necessary for being a writer.
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