A Quote by Monica Ali

I always try to create conflict and drama in my books; it's the engine of the novel. — © Monica Ali
I always try to create conflict and drama in my books; it's the engine of the novel.
Everyone always says that conflict is drama, and I agree, but I also don't think you need drama everywhere. Or conflict everywhere.
Drama is always conflict. Conflict either comes from within or without. The thing that makes a show different is the conflict manifests itself both internally and externally.
The whole thing about my books and my life is that I create drama's always around me.
What's interesting to me is drama and conflict. Things aren't interesting without conflict and resolution of conflict - or striving towards a resolutions of conflict.
Domesticity is essentially drama, for drama is conflict, and the home compels conflict by its concentration of active personalities in a small area. The real objection to domesticity is that it is too exciting.
Honestly, when you're writing you try to stay on the story, on the character's mind, trying to throw stuff at them. There is danger, and the scares have to kick in the right places with the drama. And you try not to do too much to try to create those moments. Those moments create themselves.
I try to write books that are different from the books I've already written. I think one of the thing I really try to do is reinvent how a novel can be written.
When a novelist or screenwriter is looking for a subject, the element he's seeking is conflict. Conflict makes drama. Conflict produces great characters and memorable scenes. So war is a natural topic.
When you have a conflict, that means that there are truths that have to be addressed on each side of the conflict. And when you have a conflict, then it's an educational process to try to resolve the conflict. And to resolve that, you have to get people on both sides of the conflict involved so that they can dialogue.
Conflict is entertaining and it's the stuff of drama - or comedy - but too much conflict, or conflict that's at too high a pitch can get annoying.
The roles I'm interested in or have been interested in, you know, it's going to get down to conflict. Drama is conflict - conflict of interests.
Any show that has 'party non-invite' as its central conflict drums up the operatic high drama of a good Russian novel. It's the 'Real Housewives' Crime and Punishment:' first the horror of a non-invitation, and then the shattering aftermath.
I suppose drama can either take the place of a novel or can be very closely allied with it. It's quite customary to turn a successful novel into a film or a television series because you can dramatize and pictorialize a novel.
Great drama is all about conflict, and what's a better conflict than Republican-Democrat?
I like conflict, drama's conflict and if you don't have that in the character it's really not a worthwhile role to play for me.
I like movies that deal with trapped men. Men that need to make choices that are not obvious or easy choices. Then how do you visualize this? You create this character conflicted between two sides, because drama is about the conflict of two things, between your duty and your will, between what you want and what you can't have. It is all conflict between two things, and this is why you put your character in a place where you can visualize the conflict.
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